Shloka 96
Viśokā Dvādaśī Vow, Guḍa-Dhenū (Jaggery-Cow) Gift, and Śaila-Dāna (Mountain-Charity) Rites
ब्रह्माथ विष्णुर्भगवान्पुरारिर्दिवाकरोप्यत्र हिरण्मयः स्यात् । तथेक्षुवंशावृतकंदरस्तु घृतोदकप्रस्रवणो दिशासु
brahmātha viṣṇurbhagavānpurārirdivākaropyatra hiraṇmayaḥ syāt | tathekṣuvaṃśāvṛtakaṃdarastu ghṛtodakaprasravaṇo diśāsu
ທີ່ນີ້ ພຣະພຣະຫມາ, ພຣະວິສນຸຜູ້ເປັນພະພະວານ, ປຸຣາຣິ (ພຣະສິວະ) ແລະແມ່ນແຕ່ພຣະອາທິດ ກໍສ່ອງສະຫວ່າງດ້ວຍລັດສະມີຄຳ. ອີກທັງ ຖ້ຳພູທີ່ຖືກປົກຄຸມດ້ວຍພົງອ້ອຍ ກໍພຸ່ງນ້ຳດຸດຄືຂີ້ເນີຍໄຫຼໄປທຸກທິດ.
Unspecified (narratorial voice within Sṛṣṭi-khaṇḍa context)
Concept: Divinity pervades loci of cosmic order; sacred space transforms perception—radiance is not merely physical but ontological.
Application: Create ‘hiraṇmaya’ spaces in life: purity, truthfulness, and worship make the mind luminous; let nourishment (food/water) be treated as sacred offering.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: mountain
Visual Art Cues: {"scene_description":"At the summit-caves of the cosmic mountain, Brahmā, Viṣṇu, Śiva, and the Sun appear bathed in molten-gold radiance, as if the air itself is clarified butter turned to light. Sugarcane thickets veil the cave mouths, and from within, streams pour outward like flowing ghṛta, forming luminous rivulets in every direction.","primary_figures":["Brahmā","Viṣṇu","Śiva (Purāri)","Sūrya (Sun deity)"],"setting":"Golden caves on a cosmic mountain, sugarcane groves around cavern entrances, radiant streams flowing to the four quarters.","lighting_mood":"divine radiance","color_palette":["molten gold","sugarcane green","saffron yellow","ivory white","deep shadow umber"],"tanjore_prompt":"Tanjore painting style: the Trimūrti with Sūrya in a radiant golden cave-temple on a cosmic mountain; thick gold-leaf aura flooding the scene, sugarcane arches framing cave mouths, ghṛta-like streams rendered as glossy gold ribbons flowing to four directions; ornate crowns, gem-studded ornaments, symmetrical composition, rich red-green textile accents.","pahari_prompt":"Pahari miniature style: refined figures of Brahmā, Viṣṇu, Śiva, and Sūrya seated near a cave mouth, soft golden wash illuminating their faces; delicate sugarcane leaves, thin flowing streams like liquid light; cool distant sky, subtle gradients, lyrical serenity with precise linework.","kerala_mural_prompt":"Kerala mural style: bold outlined deities with characteristic large eyes, flat golden background field suggesting hiraṇmaya radiance; stylized sugarcane patterns around cave portals; ghṛta streams as thick yellow-gold bands; temple-wall aesthetic with rhythmic ornamentation.","pichwai_prompt":"Pichwai cloth painting style: central golden cave-mandala with Viṣṇu emphasized, flanked by Brahmā and Śiva, Sūrya above; sugarcane motifs forming a decorative arch, four ghṛta-streams radiating like spokes; intricate floral borders, deep blue outer field with gold highlights."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"authoritative","sound_elements":["conch shell","deep temple bell","low drone (tanpura)","flowing water rendered as soft hiss"]}
Sandhi Resolution Notes: विष्णुर्भगवान्पुरारिर्दिवाकरोप्यत्र = विष्णुः + भगवान् + पुरारिः + दिवाकरः + अपि + अत्र; तथेक्षुवंशावृतकंदरस्तु = तथा + इक्षुवंशावृतकन्दरः + तु; घृतोदकप्रस्रवणो = घृतोदकप्रस्रवणः (visarga before voiced consonant dropped in saṃhitā).
FAQs
It depicts a sanctified landscape where even natural features become miraculous—caves overgrown with sugarcane and waters flowing like ghee—typical of tīrtha-māhātmya style descriptions that mark a place as divinely charged.
By presenting major deities (Brahmā, Viṣṇu, Śiva, and Sūrya) as sharing a single golden radiance, it underscores a cosmic, creation-era grandeur where divinity permeates the environment.
The imagery suggests that proximity to the sacred transforms perception and experience: devotion and reverence can reveal the world as suffused with divine splendor rather than ordinary materiality.