Shloka 52
The Meeting with Puṣkala’s Wife
पुत्रागच्छसि चेद्युक्तः पुष्कलेन शुभान्वितः । तदा मम प्रमोदः स्यादन्यथा शोकभागहम्
putrāgacchasi cedyuktaḥ puṣkalena śubhānvitaḥ | tadā mama pramodaḥ syādanyathā śokabhāgaham
ລູກເອີຍ ຖ້າເຈົ້າກັບຄືນມາດ້ວຍການຕຽມພ້ອມອັນສົມຄວນ ພ້ອມກັບປຸສະກະລະ ແລະເຕັມໄປດ້ວຍມົງຄຸນ ແມ່ຈະປິຕິຍິນດີ; ບໍ່ຊັ້ນແມ່ຈະເປັນຜູ້ຮ່ວມຮັບຄວາມໂສກ
Unspecified (context-dependent within Padma Purana, Pātālakhaṇḍa dialogue)
Concept: Auspicious preparation and right conduct determine whether an undertaking yields joy or grief for oneself and one’s family.
Application: Before travel or major decisions, cultivate śauca (cleanliness), truthful intent, blessings of elders, and a devotional anchor; outcomes affect not only the doer but the whole household.
Primary Rasa: karuna
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"Inside a modest royal household chamber, a mother clasps her son’s hands, her eyes moist with restrained fear as she speaks of joy or grief hinging on his auspicious return. The son stands poised for departure, travel staff and protective amulet visible, while a small lamp flickers beside a lotus-shaped vessel, hinting at Padma Purāṇa’s lotus symbolism.","primary_figures":["mother","son (young hero)"],"setting":"interior chamber near a courtyard threshold; travel preparations laid out (cloth bundle, water pot, protective thread)","lighting_mood":"temple lamp-lit","color_palette":["warm amber","deep maroon","sandalwood beige","indigo shadow","soft lotus pink"],"tanjore_prompt":"Tanjore painting style: a mother blessing her departing son at a palace threshold, gold leaf halo-like accents around their heads, rich red and emerald textiles, ornate jewelry, lotus motifs on pillars, gem-studded borders, South Indian iconographic symmetry, delicate tearful expressions rendered with devotional gravity.","pahari_prompt":"Pahari miniature style: intimate domestic farewell scene with fine linework, pale courtyard architecture, cool indigo and rose tones, lyrical naturalism in the mother’s face, a small oil lamp and lotus vessel, distant garden trees softly washed, refined gestures of blessing and departure.","kerala_mural_prompt":"Kerala mural style: bold black outlines, flat yet vibrant pigments; mother and son in frontal three-quarter pose, large expressive eyes, red-yellow-green palette, stylized palace doorway with lotus medallions, lamp flame as a central motif, auspicious markings on the son’s forehead.","pichwai_prompt":"Pichwai cloth painting style: devotional domestic vignette framed by intricate floral borders and lotus creepers; the mother’s blessing gesture mirrored by small auspicious symbols (conch, lotus), deep blue background with gold highlights, peacocks perched on the border, Nathdwara-like ornamentation even in a non-Krishna scene."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"emotional","sound_elements":["soft sobbing hush","oil lamp crackle","distant conch from a shrine","night insects","brief silence after the warning"]}
Sandhi Resolution Notes: पुत्रागच्छसि = पुत्र + आगच्छसि; चेद्युक्तः = चेत् + युक्तः; स्यादन्यथा = स्यात् + अन्यथा; शोकभागहम् = शोकभाग् + अहम् (अन्त्यव्यञ्जन-सन्धि: भाग् + अहम् → भागहम्)
FAQs
It stresses that success and joy follow when one returns ‘properly prepared’ and endowed with auspicious qualities; failure or unpreparedness leads to sorrow shared by loved ones.
'Yuktaḥ' implies being fit, disciplined, and properly equipped—having done what is required so the return is meaningful and beneficial.
Personal actions have relational consequences: one’s diligence and auspicious conduct bring happiness to family/community, while negligence brings collective grief.