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Shloka 37

Daśame’hani Bhīṣma-yuddham — Śikhaṇḍī-rakṣaṇa, Arjuna-prabhāva, Duryodhana-āśraya-vākyam

शोणिताक्तां गदां बिभ्रन्मेदोमज्जाकृतच्छवि: । कृताभ्यड्र: शोणितेन रुद्रवत्‌ प्रत्यदृश्यत,खूनसे रँगी हुई गदा लेकर मेदा और मज्जाके लेपसे अपनी शोभा बिगाड़कर रक्तका उबटन लगाये हुए भीमसेन भगवान्‌ रुद्रके समान दिखायी दे रहे थे

śoṇitāktāṃ gadāṃ bibhran medomajjākṛtacchaviḥ | kṛtābhyadraḥ śoṇitena rudravat pratyadṛśyata ||

ສັນຊະຍະກ່າວວ່າ: ພີມເສນະຖືຄອນຕີ (ຄະດາ) ທີ່ເປື້ອນເລືອດ; ຮູບລັກຂອງລາວຖືກຄຸ້ມດ້ວຍໄຂມັນແລະໄຂກະດູກ ຈົນຄວາມງາມຖືກບິດເບືອນ, ແລະຖືກຊະໂລມດ້ວຍເລືອດທົ່ວກາຍ; ບີມເສນະປາກົດດັ່ງພຣະຣຸດຣະເອງ—ນ່າຢ້ານ ແລະນ່າເກງຂາມ ທ່າມກາງສະໜາມຮົບ. ບົດນີ້ຊີ້ໃຫ້ເຫັນນ້ຳໜັກທາງຈັນຍາບັນຂອງສົງຄາມ: ແມ່ນແຕ່ເຫດຜົນອັນຊອບທຳກໍອາດປາກົດຜ່ານຄວາມຮຸນແຮງອັນນ່າສະພຶງ, ແລະທຳຂອງນັກຮົບ (kṣātra-dharma) ອາດມີຮູບພາບພາຍນອກອັນດຸຮ້າຍ ແຕ່ຖືກຂັບເຄື່ອນໂດຍໜ້າທີ່ແລະຄວາມແນ່ວແນ່.

शोणिताक्ताम्smeared with blood
शोणिताक्ताम्:
Karma
TypeAdjective
Rootशोणिताक्त (शोणित + अक्त)
FormFeminine, Accusative, Singular
गदाम्mace
गदाम्:
Karma
TypeNoun
Rootगदा
FormFeminine, Accusative, Singular
बिभ्रन्bearing, carrying
बिभ्रन्:
Karta
TypeVerb
Rootभृ (धारणे)
FormPresent, Singular, Parasmaipada, Present active participle (कर्तरि शतृ)
मेदोमज्जाकृतच्छविःwhose appearance was made (smeared/covered) with fat and marrow
मेदोमज्जाकृतच्छविः:
Karta
TypeAdjective
Rootमेदोमज्जाकृतच्छवि (मेदस् + मज्जा + कृत + छवि)
FormMasculine, Nominative, Singular
कृताभ्यङ्गःhaving performed an anointing (having an unction applied)
कृताभ्यङ्गः:
Karta
TypeAdjective
Rootकृताभ्यङ्ग (कृत + अभ्यङ्ग)
FormMasculine, Nominative, Singular
शोणितेनwith blood
शोणितेन:
Karana
TypeNoun
Rootशोणित
FormNeuter, Instrumental, Singular
रुद्रवत्like Rudra
रुद्रवत्:
TypeIndeclinable
Rootरुद्रवत्
प्रत्यदृश्यतappeared, was seen
प्रत्यदृश्यत:
TypeVerb
Rootदृश् (दर्शन)
FormImperfect (लङ्), Third, Singular, Atmanepada

संजय उवाच

S
Sañjaya
B
Bhīmasena (Bhīma)
R
Rudra (Śiva)
G
gadā (mace)

Educational Q&A

The verse highlights the paradox of dharma in war: even when fighting is undertaken as duty, its outward form is terrifying and stained by violence. It invites reflection on the moral gravity of battle and the burden borne by those who fight.

Sañjaya describes Bhīma on the battlefield: he carries a blood-smeared mace, his body coated with fat and marrow and anointed with blood, appearing fierce like Rudra—signaling Bhīma’s overwhelming, destructive momentum in combat.