Shloka 19
पाण्डव-वृष्णि-समागमः तथा अश्वमेध-अनुज्ञा | Reunion at the Kuru Court and Authorization of the Aśvamedha
आसीदू् वैश्रवणस्येव निवासस्तत्पुरं तदा । वन्दिभिश्न नरै राजन् स्त्रीसहायैश्व सर्वश:
āsīd vaiśravaṇasyeva nivāsas tat-puraṁ tadā | vandibhiś ca naraiḥ rājan strī-sahāyaiś ca sarvaśaḥ | adarśayann iva tadā kurūn vai dakṣiṇottarān ||
ໄວສັມປາຍະນະ ກ່າວວ່າ: ໃນເວລານັ້ນ ເມືອງນັ້ນປານດັ່ງທີ່ພຳນັກຂອງ ໄວສຣະວະນະ (ກຸເບຣະ) ອັນງາມສະຫງ່າ ແລະອຸດົມສົມບູນ. ໂອ ພະຣາຊາ, ຕາມບ່ອນສະງົບສະງັດທົ່ວທິດ ມີນັກສັນລະເສີນ ແລະຜູ້ຕິດຕາມ ຢືນຢູ່ພ້ອມກັບສະຕຣີ ເພີ່ມພູນຄວາມງາມໃຫ້ນະຄອນຫຼວງ. ແລະເມື່ອລົມພັດ ທຸງແລະທຸງປ້າຍທົ່ວເມືອງກໍພັດພິ້ວໄຫວ, ປານດັ່ງເມືອງເອງກຳລັງສະແດງສິຣິຂອງກຸຣຸ—ທັງດິນແດນກຸຣຸພາກໃຕ້ ແລະພາກເໜືອ—ຜ່ານມາດຕະຖານທີ່ພັດພິ້ວນັ້ນ.
वैशम्पायन उवाच
Educational Q&A
The verse highlights the ethical ideal of a well-ordered kingdom: prosperity, public harmony, and cultural refinement (bards, orderly celebration) are presented as signs of good governance and collective dignity, where the realm’s identity is upheld without violence—through beauty, ceremony, and social cohesion.
The narrator describes a city at a festive moment, comparing it to Kubera’s splendid residence. Bards and people stand throughout the city, and wind-driven banners flutter everywhere, making it seem as if the city is showcasing the grandeur of the Kuru domains—both southern and northern.