Garuḍa–Śakra Saṃvāda and the Retrieval of Amṛta (गरुड–शक्र संवादः अमृत-अपहरण-प्रसङ्गः)
मम्लुर्माल्यानि देवानां नेशुस्तेजांसि चैव हि । उत्पातमेघा रौद्राश्न ववृषु: शोणितं बहु
mamlur mālyāni devānāṃ neśus tejāṃsi caiva hi | utpāta-meghā raudrāś ca vavṛṣuḥ śoṇitaṃ bahu ||
ກາສະຍະປະ ກ່າວວ່າ: «ພວງມາລາຂອງເທວະດາທັງປວງເຫື່ອຍເຉົ້າ ແລະ ລັດສະໝີຂອງພວກທ່ານກໍເລີ່ມຈາງລົງ. ເມກລາງຮ້າຍອັນນ່າສະພຶງກົວໄດ້ຮວບຮວມຂຶ້ນ ແລະ ຕົກຝົນເລືອດຢ່າງຫຼາຍ.»
कश्यप उवाच
When dharma is threatened, the epic portrays nature and the heavens as reflecting that imbalance through ominous signs; such portents function as ethical warnings to check pride, violence, and adharma before catastrophe unfolds.
Kaśyapa reports a series of inauspicious omens: the gods’ garlands wilt and their radiance diminishes, while dreadful portent-clouds appear and rain blood—signals that a grave disturbance is approaching.