दक्षयज्ञध्वंसः—वीरभद्रप्रेषणं, देवविष्ण्वोः पराजयः, पुनरनुग्रहः
उवाच भद्रो भगवान् दक्षं चामिततेजसम् संपर्कादेव दक्षाद्य मुनीन्देवान् पिनाकिना
uvāca bhadro bhagavān dakṣaṃ cāmitatejasam saṃparkādeva dakṣādya munīndevān pinākinā
ພະຜູ້ເປັນມົງຄຸນ ພັດໂຣ (Bhadrā) ໄດ້ກ່າວຕໍ່ ທັກສະ (Dakṣa) ຜູ້ມີເທຊະອັນຫາຂອບບໍ່ໄດ້; ແລະ ໂດຍພຽງແຕ່ການສຳພັນກັບ ພິນາກິນ (Pinākin—ພະສິວະ ຜູ້ຖືຄັນທະນູພິນາກາ) ທັກສະ ແລະ ມຸນີຜູ້ຍິ່ງໃຫຍ່ ກັບເທວະທັງຫຼາຍ ກໍຖືກຊຳລະແລະຍົກຂຶ້ນສູງ।
Suta Goswami (narrating the scene; the Lord/Pinakin is the one who speaks within the narrative)
It underscores that Shiva’s presence itself purifies; in Linga-puja, proximity to the Linga (as Shiva’s manifest sign) is treated as transformative satsanga that loosens pasha (bondage) for the pashu (soul).
Shiva is implied as Pati—the auspicious, self-luminous Lord whose mere contact elevates devas and sages, indicating his role as the purifier and bestower of grace (anugraha) beyond ordinary causal means.
The key practice is Shiva-sannidhya (abiding near Shiva/His Linga) as satsanga—an essential Shaiva discipline that supports Pashupata-oriented purification and inner steadiness leading toward liberation.