किं न वेत्ति नृशंसो ऽयम् अनुरागपरं जनम् येनेमम् अक्ष्णोर् आह्लादं नयत्य् अन्यत्र नो हरिम्
kiṃ na vetti nṛśaṃso 'yam anurāgaparaṃ janam yenemam akṣṇor āhlādaṃ nayaty anyatra no harim
ಈ ಕ್ರೂರನು ತಿಳಿಯುವುದಿಲ್ಲವೇ—ನಾವು ಪ್ರೇಮದಲ್ಲಿ ಸಂಪೂರ್ಣ ಲೀನರಾದ ಜನರೆಂದು? ಯಾವ ರೀತಿಯಲ್ಲಿ ಅವನು ನಮ್ಮ ಕಣ್ಣುಗಳ ಆನಂದವನ್ನು ಹರಿಯನ್ನು ಬಿಟ್ಟು ಬೇರೆಡೆಗೆ ಎಳೆದುಕೊಂಡು ಹೋಗುತ್ತಾನೆ!
Gopis (cowherd women of Vraja), as narrated by Sage Parasara to Maitreya
Avatara: Krishna
Purpose: Krishna’s līlā draws the hearts of devotees so completely that separation itself becomes a furnace intensifying remembrance and surrender.
Leela: Moksha-dana
Dharma Restored: Supremacy of single-pointed devotion (ananya-bhakti) as the sustaining order of the heart.
Concept: For those whose love is fixed on Hari, the mind and senses find no true delight anywhere else, revealing the exclusivity of ananya-bhakti.
Vedantic Theme: Moksha
Application: Cultivate single-pointed remembrance (nāma-japa, kīrtana, and daily contemplation) so that distractions lose their binding power.
Vishishtadvaita: The soul’s natural dependence (śeṣatva) expresses itself as exclusive attachment to the personal Lord, not as dissolution into an impersonal absolute.
Vishnu Form: Hari
Bhakti Type: Madhurya
This verse presents ananya-bhakti—devotion that refuses substitution—where the eyes (symbolizing perception and desire) find true joy only in Hari, underscoring Vishnu/Krishna as the supreme and sufficient object of love.
Through the voices of the Gopis, Parasara depicts devotion as total absorption: even sensory happiness is legitimate only when oriented to Hari, making separation a heightened spiritual state rather than mere emotion.
Hari is portrayed as the ultimate center of bliss and meaning; moving the heart’s joy away from Him is described as cruelty, reflecting Vaishnava theology where the Supreme Lord alone fulfills the soul’s longing.