HomeVamana PuranaAdh. 40Shloka 56
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Vamana Purana — Prahlada's Counsel to Andhaka, Shloka 56

Shukra’s Curse on King Danda and Prahlada’s Counsel to Andhaka on Dharma

सा ताडिता बलवता भेरी दुर्योधनेन हि सत्वरं भैरवं रावं रुराव सुरभी यथा

sā tāḍitā balavatā bherī duryodhanena hi satvaraṃ bhairavaṃ rāvaṃ rurāva surabhī yathā

{"bhagavata_parallel": null, "vishnu_purana_parallel": null, "ramayana_connection": "War-counsel scenes where commanders reassure allies of victory (e.g., Rāma addressing vānaras).", "mahabharata_echo": "Assurance speeches before battle (e.g., Kṛṣṇa’s confidence, Bhīṣma’s vows) and the role of omens in morale.", "other_puranas": ["Skanda Purana (Nandin/gaṇa leadership motifs)", "Shiva Purana (Śiva’s declarations in demon-slaying episodes)"], "vedic_reference": "Rudra’s protective/terrible sovereignty in Vedic hymns underlies later Purāṇic martial confidence."}

:
:
Narrator voice
Shiva (contextual, via Andhaka cycle)
Martial sound as intimidationSimile and sonic aestheticsRapid escalation toward battle

{ "primaryRasa": "bhayanaka", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

In this line it most naturally reads as an adjective meaning ‘terrifying’ qualifying the drum’s roar (bhairavaṃ rāvaṃ). While Bhairava is a Śaiva form, the grammar here does not require a theonym.

Surabhī (Kāmadhenu) symbolizes a powerful, resonant, otherworldly sound. The simile conveys depth and force—suggesting the drum’s roar is not merely loud but portentous and commanding.

No. These verses are purely narrative and acoustic; they contain no named tīrthas, rivers, forests, or regions, which are the usual carriers of Vāmana Purāṇa’s geographic metadata.