निवातकवचैः सह अर्जुनस्य रथयुद्धम्
Arjuna’s chariot engagement with the Nivātakavacas
ततः स हरिभिर्युक्ते जाम्बूनदपरिष्कृतम् मेघनादिनमारुहा[ श्रिया परमया ज्वलन्
tataḥ sa haribhir yukte jāmbūnadapariṣkṛtam | meghanādinam ārūḍhaḥ śriyā paramayā jvalan ||
ನಂತರ ಅವರು ಶ್ರೇಷ್ಠ ಅಶ್ವಗಳಿಂದ ಯುಕ್ತವಾಗಿದ್ದ, ಜಾಂಬೂನದ ಚಿನ್ನದಿಂದ ಅಲಂಕರಿಸಲ್ಪಟ್ಟ ‘ಮೇಘನಾದ’ ಎಂಬ ರಥವನ್ನು ಏರಿ, ಪರಮಶ್ರೀಯಿಂದ ಜ್ವಲಿಸುತ್ತ ಮುಂದೆ ಸಾಗಿದರು.
वैशम्पायन उवाच
The verse highlights how outward magnificence—fine horses, gold adornment, and radiant prosperity—often accompanies moments of resolve and movement in epic narrative; it implicitly contrasts worldly splendor with the deeper ethical trials characteristic of the forest life (vana-vāsa), where true worth is tested beyond appearances.
A previously mentioned male figure mounts a richly decorated chariot called Meghanāda, yoked with horses, and proceeds in great brilliance—signaling a transition into action, such as departure, pursuit, or the commencement of an important encounter.