सर्वादिमध्यान्तगलौ म्नौ भ्यौ ज्रौ स्तौ त्रिका गणाः / आर्या चतुष्कलाद्यन्तसर्वमध्ये चतुर्गणाः
sarvādimadhyāntagalau mnau bhyau jrau stau trikā gaṇāḥ / āryā catuṣkalādyantasarvamadhye caturgaṇāḥ
ಆದಿ, ಮಧ್ಯ, ಅಂತ—ಎಲ್ಲ ಸ್ಥಾನಗಳಲ್ಲೂ ‘ಗಲೌ’, ‘ಮ್ನೌ’, ‘ಭ್ಯೌ’, ‘ಜ್ರೌ’, ‘ಸ್ತೌ’ ಎಂಬ ತ್ರಿಕ (ಮೂರು ಅಕ್ಷರ) ಗಣಗಳಿವೆ. ಆದರೆ ಆರ್ಯಾ ಛಂದಸ್ಸಿನಲ್ಲಿ ಆದಿ-ಅಂತ ಮತ್ತು ಮಧ್ಯ ಎಲ್ಲೆಡೆ ಚತುಷ್ಕಲ (ನಾಲ್ಕು ಘಟಕ) ಗಣಗಳೇ ಇರುತ್ತವೆ.
Lord Vishnu (teaching Garuda/Vinata-putra)
Concept: Chandas-vidyā: metrical composition is governed by gaṇa-patterns; Āryā follows distinct four-mātrā groupings across positions.
Vedantic Theme: Discipline (niyama) and order as supports for śāstra and sacred recitation; form safeguards meaning.
Application: Use gaṇa patterns to scan/compose verses accurately; apply Āryā’s special grouping rules when teaching or composing.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Related Themes: Garuda Purana 1.207 (chandas section; gaṇa terminology continuation)
This verse highlights how gaṇas are used to classify syllable-patterns in metres, supporting correct chanting, memorization, and faithful transmission of the Purana’s verses.
It states that while many metres are analyzed through tri-syllabic gaṇas, the Āryā metre is treated with four-syllable groupings across the beginning, middle, and end.
Use these gaṇa and Āryā rules when digitizing, teaching, or chanting the Garuda Purana to preserve accurate rhythm (chandas) and reduce recitation errors.