कुब्जानुग्रहः, धनुर्भङ्गः, कुवलयापीडवधः, मल्लयुद्धं, कंसवधः, स्तुतयः
ततः समस्तमञ्चेषु नागरः स तदा जनः राजमञ्चेषु चारूढाः सह भृत्यैर् महीभृतः
tataḥ samastamañceṣu nāgaraḥ sa tadā janaḥ rājamañceṣu cārūḍhāḥ saha bhṛtyair mahībhṛtaḥ
បន្ទាប់មក ប្រជាជនក្នុងទីក្រុងបានអង្គុយលើវេទិកាទាំងអស់; ហើយស្តេចទាំងឡាយក៏ឡើងលើវេទិការាជវង្សជាមួយអ្នកបម្រើ រួចអង្គុយតាមលំដាប់។
Sage Parāśara (narrating) to Maitreya
It dramatizes ordered sovereignty: citizens and kings take their appointed places, reflecting dharmic structure and the legitimacy of rule within the Purāṇic vision of social harmony.
Through narrative staging—like citizens seated on common tiers and rulers on royal platforms—Parāśara presents hierarchy as functional order aligned with dharma, not merely power.
Even when Vishnu is not explicitly named, the scene implies that kingship and civic order operate under a higher cosmic sovereignty—Vishnu as the sustaining principle of lawful order (dharma) in the world.