Gadāyuddhe Kṛṣṇopadeśaḥ (Kṛṣṇa’s Counsel in the Mace-Duel) — Śalya-parva 57
ददृशुस्ते महाराज भीमसेनस्य तां गदाम् | राजेन्द्र! दर्शकोंने भीमसेनकी उस भयंकर गदाको इन्द्रके वज्ञ और यमराजके दण्डके समान उठी हुई देखा ।। आविध्यन्तं गदां दृष्टवा भीमसेनं तवात्मज:
dadṛśus te mahārāja bhīmasenasya tāṁ gadām | rājendra! darśakāḥ bhīmasenasya tāṁ bhayaṅkarāṁ gadām indrasya vajrasamaṁ yamarājasya daṇḍasamaṁ ca udyatāṁ dadṛśuḥ || āvidhyantaṁ gadāṁ dṛṣṭvā bhīmasenaṁ tavātmajaḥ |
សញ្ជ័យបាននិយាយ៖ ឱ ព្រះមហាក្សត្រ! អ្នកមើលទាំងឡាយបានឃើញគុទ្ទកា (ដំបងធំ) របស់ភីមសេន ដ៏គួរឱ្យភ័យខ្លាច ត្រូវបានលើកឡើងខ្ពស់ ដូចវជ្រៈរបស់ឥន្ទ្រា និងដូចដំបងទណ្ឌកម្មរបស់យមរាជ។ ពេលឃើញភីមសេនកំពុងបង្វិលគុទ្ទកានោះ កូនប្រុសរបស់ព្រះអង្គ (ទុរយោធន) បានមើលទៅ ដូចជាប្រឈមមុខនឹងកម្លាំងនៃការសងសឹកដែលកំពុងមកដល់លើសមរភូមិ។
संजय उवाच
The verse frames battlefield power in moral-symbolic terms: Bhīma’s mace is likened to Indra’s vajra (divine force) and Yama’s daṇḍa (punitive justice), suggesting that violence in this climactic duel is also the working out of consequence and retribution within the epic’s dharmic horizon.
Sañjaya reports to Dhṛtarāṣṭra that the spectators see Bhīma raising and whirling his fearsome mace. The description sets the scene for the decisive mace-fight atmosphere, with Duryodhana (the king’s son) facing Bhīma’s imminent attack.
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