Veṅkaṭācala Māhātmya: Bhakti-Lakṣaṇa, Nārasiṁha-tīrtha, and the Secret Darśana-Vidhi of Śrīnivāsa
स्त्रीरूपेभ्यो नमनं कार्यमेव कन्ये मया पश्चिमस्थे दले च / गोपाख्यनारायणब्रह्मवायुविप्रादिकानां शेषरूद्रादिकानाम्
strīrūpebhyo namanaṃ kāryameva kanye mayā paścimasthe dale ca / gopākhyanārāyaṇabrahmavāyuviprādikānāṃ śeṣarūdrādikānām
«ឱ កញ្ញា» ខ្ញុំត្រូវធ្វើនមស្ការចំពោះអង្គទាំងឡាយដែលបង្ហាញជារូបស្ត្រីជាចាំបាច់ ហើយក៏ចំពោះស្លឹកផ្កាឈូកនៅទិសលិចផងដែរ—ចំពោះទេវតានាម «គោបា» និងនារាយណៈ ព្រហ្មា វាយុ និងព្រះឥសីព្រាហ្មណ៍ជាដើម; ព្រមទាំងអង្គដែលចាប់ផ្តើមដោយសេសៈ និងរុទ្រៈជាដើម។
Lord Vishnu (narrating to Garuda, Vinata-putra)
Concept: Devotion expressed as systematic namaskāra to śakti-forms and to a Nārāyaṇa-centered retinue arranged by direction.
Vedantic Theme: Many names/forms as upādhis of one sustaining reality; harmonizing śakti and īśvara within worship.
Application: In padma-nyāsa, turn attention to the western petal; recite the names (Gopa-ākhyā, Nārāyaṇa, Brahmā, Vāyu, vipra/ṛṣi presences, Śeṣa, Rudra, etc.) and offer mental prostration.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: mandala/lotus-seat (padma)
Related Themes: Garuda Purana 3.24.97 (right petal); Garuda Purana 3.24.99 (Īśāna petal); Garuda Purana 3.24.100 (center)
The verse frames namaskāra as a required dharmic act—honoring divine presences (including feminine forms) and specific directional placements, indicating disciplined, reverent worship rather than casual devotion.
By mentioning the “western petal,” the verse implies a diagrammatic or lotus-based arrangement used in worship/nyāsa, where deities are invoked and honored according to fixed directions and assigned positions.
Maintain orderly, respectful worship: begin with salutations, include gratitude toward teachers/sages (vipras), and follow a consistent method (directional focus or prescribed sequence) to cultivate humility and steadiness in practice.