Kardama Muni’s Mystic Opulence, Devahūti’s Rejuvenation, and the Turning Toward Fearlessness
हंसपारावतव्रातैस्तत्र तत्र निकूजितम् । कृत्रिमान् मन्यमानै: स्वानधिरुह्याधिरुह्य च ॥ २० ॥
haṁsa-pārāvata-vrātais tatra tatra nikūjitam kṛtrimān manyamānaiḥ svān adhiruhyādhiruhya ca
នៅក្នុងព្រះរាជវាំងនោះ មានហ្វូងហង្ស និងព្រាបនៅទីនេះទីនោះ កំពុងច្រៀងសូរស្រទន់។ ហង្ស‑ព្រាបក្លែងក្លាយក៏ស្រដៀងជីវិតណាស់ ដល់ថ្នាក់ហង្សពិតយល់ថាជាបក្សីរស់ដូចខ្លួន ហើយហោះឡើងហោះចុះទៅអង្គុយលើវាម្តងហើយម្តងទៀត; ដូច្នេះព្រះរាជវាំងទាំងមូលរំញ័រដោយសូរបក្សី។
This verse shows the extraordinary, almost otherworldly beauty of Kardama’s residence—so lifelike that even the birds’ sounds seemed like crafted art, highlighting the splendor surrounding Devahūti’s new life.
Because the setting was so exquisitely arranged and astonishing that the birds and their cooing appeared like deliberate, man-made decorations rather than natural life.
It reminds a devotee that genuine spiritual culture can refine one’s environment and senses—beauty and order can be engaged in dharma without losing sight of devotion.