The Birth and Consecration of Skanda (Kartikeya) at Kurukshetra
अनन्तः शङ्कुपीठश्च निकुम्भः कुमुदो ऽम्बुजः एकाक्षः कुनटी चक्षुः किरीटी कलशोदरः
anantaḥ śaṅkupīṭhaśca nikumbhaḥ kumudo 'mbujaḥ ekākṣaḥ kunaṭī cakṣuḥ kirīṭī kalaśodaraḥ
「(その名は:)アナンタ(Ananta)、シャンクピーティハ(Śaṅkupīṭha)、ニクンバ(Nikumbha)、クムダ(Kumuda)、アンブジャ(Ambuja)、エカークシャ(Ekākṣa)、クナティー(Kunaṭī)、チャクシュ(Cakṣu)、キリーティン(Kirīṭin)、そしてカラショーダラ(Kalaśodara)である。」
{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
In this passage they function primarily as proper names of individual gaṇas in Guha/Skanda’s retinue. Many names are semantically transparent (e.g., Ekākṣa ‘one-eyed’, Kalaśodara ‘pot-bellied’), reflecting the Purāṇic habit of encoding iconographic or character traits into names.
Purāṇic tīrtha sections often embed local cultic ecology—who guards a place, which retinues attend a deity, and what subsidiary beings are worshipped. Such catalogues can map a sacred landscape socially (through divine attendants) even when a specific river or tīrtha is not named in the immediate verse.
Not necessarily. ‘Ananta’ is a common theonym/epithet and can be borne by different classes of beings. In this context it is one among several gaṇa names tied to Guha/Skanda, not explicitly linked to Viṣṇu’s serpent Ananta-Śeṣa.