Shiva’s Wedding Procession to Kailasa and the Marriage of Girija (Kali)
माल्यार्द्धमन्या चादाय करेणैकेन भामिनी केशपाशं द्वितीयेन शङ्कराभिमुखी गता
mālyārddhamanyā cādāya kareṇaikena bhāminī keśapāśaṃ dvitīyena śaṅkarābhimukhī gatā
また別の情熱に駆られた女は、片手に花鬘の半分だけを取り、もう一方で髪の編み紐を押さえつつ、シャンカラ(シヴァ)に向かって進んだ。
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Devotion is shown as immediate and bodily: the devotee does not wait for perfect preparation. Even incomplete adornment (half a garland) becomes acceptable when the heart is set on approaching the deity.
Episode narration (carita) within a larger account: it illustrates devotional culture and temple/visit dynamics rather than cosmology or genealogies.
The half-garland and the hand holding the hair-braid symbolize ‘unfinished worldly order’—outer propriety is suspended because inner orientation is fixed on Śiva. The phrase śaṅkarābhimukhī underscores the Purāṇic ideal that liberation-oriented life begins with turning one’s face (attention) toward the Lord.