Shiva’s Wedding Procession to Kailasa and the Marriage of Girija (Kali)
ततो ऽप्यरुन्धती कालीमह्कमारोप्य चाटुकैः लज्जमानां समाश्वास्य हरनामोदितैः शुभैः
tato 'pyarundhatī kālīmahkamāropya cāṭukaiḥ lajjamānāṃ samāśvāsya haranāmoditaiḥ śubhaiḥ
それからアルンダティーは、彼女に黒き(kālī)飾りの印(mahka)を施し、柔らかな慰めの言葉で恥じらう乙女を励まし、さらにハラ(シヴァ)の御名を讃える吉祥の言葉によって安んじさせた。
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Auspicious speech (śubha-vāc) and gentle reassurance are portrayed as dhārmic supports to modesty and social harmony; Arundhatī models the role of a virtuous elder who stabilizes emotions through maṅgala (beneficent) words centered on divinity.
This is best classified under ācāra/dharma-oriented narrative material (often grouped with Vamśānucarita/Carita-style episodic narration rather than cosmological sarga/pratisarga). It functions as ritual-ethical instruction embedded in story.
Invoking Hara’s names as ‘auspicious utterance’ indicates the purāṇic principle that divine nāma itself carries maṅgala-śakti; Arundhatī’s action symbolizes the transmission of auspiciousness through both ritual marking and devotional speech.