The Saptarishis Seek Uma for Shiva: Himavan Grants the Marriage
सापि जाता मुनिश्रेष्ठ सन्ध्या रागवती ततः प्रतीच्छत् कृत्तिकायोगं शैलेया विग्रहं दृढम्
sāpi jātā muniśreṣṭha sandhyā rāgavatī tataḥ pratīcchat kṛttikāyogaṃ śaileyā vigrahaṃ dṛḍham
そののち、賢者の最勝よ、彼女もまた欲染(ラ―ガ)を帯びたサンディヤとして生じ、ついでクリッティカー・ヨーガを受け入れ、山より生まれたかのように堅固な身相(石のごとき身体)を取った。
{ "primaryRasa": "karuna", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Unchecked rāga (attachment/passion) is depicted as a degradation from a sacred function into a bound condition with tangible consequences. The narrative frames moral disorder as producing ontological change—one’s ‘form’ becomes heavy/rigid when inner balance is lost.
It remains within didactic-etiological narration used to sacralize ritual/temporal observances (Sandhyā, yogas). It is not a primary sarga/pratisarga account; it functions as explanatory ‘carita’ supporting vrata/ācāra culture around auspicious times.
Kṛttikā is often associated with fiery purification and divine nurture in broader Sanskrit tradition; juxtaposed with Sandhyā becoming rāgavatī and ‘stone-like,’ the verse can symbolize a fall from luminous transition (Sandhyā) into fixity (dṛḍha vigraha), i.e., consciousness hardening under passion.