Rudra’s Wrath at Daksha’s Sacrifice and the Iconography of Kālarūpa through the Zodiac
विशाखांशमनूराधा ज्येष्ठा भौमगृहं त्विदम् द्वितीयं वृश्चिको राशिर्मेढ्रं कालसवरूपिणः
viśākhāṃśamanūrādhā jyeṣṭhā bhaumagṛhaṃ tvidam dvitīyaṃ vṛściko rāśirmeḍhraṃ kālasavarūpiṇaḥ
ヴィシャーカー(Viśākhā)の一部分、ついでアヌラーダーとジェーシュター—これがバウマ(Bhauma/マンガラ、火星)の宮である。ヴリシュチカ(蠍宮)はラーシの第二の区分であり、時(カーラ)をその姿とする主の生殖器に相当すると説かれる。
{ "primaryRasa": "adbhuta", "secondaryRasa": "bhayanaka", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
By linking even reproductive power to Kāla (Time) as the Lord’s form, the text frames generation and dissolution as time-governed and sacred—encouraging restraint, responsibility, and reverence toward life-forces rather than mere indulgence.
This is descriptive cosmology (Sarga-oriented material), specifically an astral-anatomical mapping used for Purāṇic world-order exposition.
Scorpio’s traditional associations with intensity, transformation, and hidden forces are here sacralized as part of the cosmic body. Identifying the Lord as Kāla-svarūpa places all instinctual and generative energies under the sovereignty of Time and dharma.