Rudra’s Wrath at Daksha’s Sacrifice and the Iconography of Kālarūpa through the Zodiac
मृगार्द्धमार्द्रादित्यांशास्त्रयः सौम्यगृहं त्विदम् मिथुनं भुजयोस्तदस्य गगनस्थस्य शूलिनः
mṛgārddhamārdrādityāṃśāstrayaḥ saumyagṛhaṃ tvidam mithunaṃ bhujayostadasya gaganasthasya śūlinaḥ
ムリガシールシャの後半、アールドラー、そしてアーディティヤの三部分(すなわちアーディティヤ群の三ナクシャトラ)は、このサウミヤ(月)の宮を成す。ミトゥナ(双子宮)は、天空に住し三叉戟を執るその主の両腕に配当される。
{ "primaryRasa": "shanta", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Time-divisions are not merely astronomical; they are sanctified as aspects of the deity. This encourages aligning human action (ritual, vrata, worship) with sacred time, cultivating harmony between microcosm and macrocosm.
Cosmological structuring and divine taxonomy: best placed under Sarga/Pratisarga-style material (world-order and its divine administration).
Placing Mithuna on Śiva’s arms suggests ‘agency’ and ‘action’ (arms) governed by duality/pairedness (Gemini), implying that even polarity and relational life are held within the divine body.