Vamana Purana — Slaying of Raktabija, Shloka 4

The Slaying of Raktabīja and Niśumbha–Śumbha; the Manifestation of the Mātṛkās and the Devas’ Hymn

Devanagari script

माहेश्वरी त्रिनेत्रा च वृषारूढा त्रिशूलिनी महाहिवलया रौद्रा जाता कुण्डलिनी क्षणात्

Transliteration

māheśvarī trinetrā ca vṛṣārūḍhā triśūlinī mahāhivalayā raudrā jātā kuṇḍalinī kṣaṇāt

Translation

すると刹那に、マーヘーシュヴァリーが現れた。三つの眼を備え、牡牛に乗り、三叉戟を執る。大蛇を腕輪として飾り、ラウドラの猛々しい相を示し、クンダリニーの力は巻き上がって一撃の備えをなしていた。

Speakers

• Narratorial voice within the Andhaka-vadha account (traditionally framed as a sage’s narration to a listener
• e.g.
• Pulastya to Nārada
• depending on recension).

Primary Deities

• Śiva (Maheśvara)
• Devī as Māheśvarī

Key Themes

• Mātṛkā manifestation
• Śakti as divine power
• Iconography of the goddess
• Andhaka-vadha battle context
• Śaiva theology

Verse Rasa (Emotional Flavour)

{ "primaryRasa": "raudra", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

Who is Māheśvarī in this context?

Māheśvarī is the feminine power (śakti) of Śiva, counted among the Mātṛkās (Mother-goddesses) who manifest to assist the gods in cosmic battles such as the slaying of Andhaka.

Why are the bull, trident, and three eyes emphasized?

These are Śiva’s defining emblems. The verse signals that Māheśvarī is not an independent deity here but Śiva’s own power taking a battle-form, marked by his iconography.

How should ‘kuṇḍalinī’ be understood here—yogic or martial?

Primarily martial and descriptive: ‘coiled’ power, like a serpent poised to uncoil. Secondarily, it resonates with the broader Indic idea of latent śakti that can suddenly surge forth.