Kurukshetra, Pṛthūdaka Tīrtha, and the Marriage of Saṃvaraṇa with Tapatī
पादौ शुभौ चक्रगदासिचिह्नौ जङ्घे तथोरू करिहस्ततुल्यौ कटिस्तथा सिंहकटिर्यथैव क्षामं च मध्यं त्रिबलीनिबद्धम्
pādau śubhau cakragadāsicihnau jaṅghe tathorū karihastatulyau kaṭistathā siṃhakaṭiryathaiva kṣāmaṃ ca madhyaṃ tribalīnibaddham
その両足は吉祥にして、円盤(チャクラ)・棍棒(ガダー)・剣の印を帯びていた。脛と腿は象の鼻または前腕のごとく、腰は獅子の腰のようであった。胴の中ほどは細く、三つのひだが結ばれるように現れていた。
{ "primaryRasa": "adbhuta", "secondaryRasa": "vira", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
The tradition links outer lakṣaṇas with inner dharma and kṣātra-tejas (royal vigor): the ideal ruler is not merely powerful but ‘auspiciously formed,’ implying fitness for protection and righteous governance.
Vamśānucarita: it is a descriptive segment establishing the stature and legitimacy of a princely figure—supporting the narrative arc of royal line/hero characterization.
Cakra and gadā are classic Viṣṇu emblems; as ‘marks’ on the body they can function as a narrative hint of divine favor or a Viṣṇu-aligned destiny, even when the text is not explicitly presenting an avatāra.