दशशैवव्रतप्रश्नः — Inquiry into the Ten Principal Śaiva Vratas
गीतैर्वाद्यैस्तथा नृत्यैर्भक्तिभावसमन्वितः । पूजनं प्रथमे यामे कृत्वा मंत्रं जपेद्बुधः
gītairvādyaistathā nṛtyairbhaktibhāvasamanvitaḥ | pūjanaṃ prathame yāme kṛtvā maṃtraṃ japedbudhaḥ
バクティの情に満ちて、夜の第一の時刻に讃歌と楽器の音と舞によってシヴァを礼拝すべきである。かくしてプージャーを終えたなら、賢者はついでマントラをジャパとして繰り返し唱えるべきである。
Suta Goswami (narrating the prescribed mode of Śiva worship to the sages at Naimiṣāraṇya)
Tattva Level: pashu
Shiva Form: Nataraja
Significance: Night-worship with music and dance cultivates bhakti and surrender; japa after pūjā stabilizes the mind and invites Śiva’s grace.
Type: stotra
Role: nurturing
Offering: pushpa
It teaches that Śiva is approached most effectively through bhakti expressed in sacred arts (song, music, dance) and then stabilized through mantra-japa—devotion becomes both heartfelt worship and disciplined inner practice.
The verse describes a concrete pūjā sequence suited to Saguna worship—adoring Śiva as present and accessible in worship (such as the Liṅga) through offerings and praise, followed by mantra repetition that internalizes that same presence.
Perform Śiva-pūjā in the first yāma with devotional singing/instruments/dance, then undertake mantra-japa—commonly the Śiva-mantra like the Pañcākṣarī ("Om Namaḥ Śivāya")—as a focused meditative continuation of worship.