Śiva-nāma-sahasraka-kathana
The Recital/Teaching of the Thousand Names of Śiva
शुभांगो लोकसारंगो जगदीशो जनार्दनः । भस्मशुद्धिकरो मेरुरोजस्वी शुद्धविग्रहः
śubhāṃgo lokasāraṃgo jagadīśo janārdanaḥ | bhasmaśuddhikaro merurojasvī śuddhavigrahaḥ
その御身は吉祥に満ち、諸世界の精髄、宇宙の主にして衆生の帰依処。聖灰(バスマ)によって清めを成し、メール山のごとく揺るがず、霊的なオージャスに輝き、完全に清浄なる神身を具える。
Suta Goswami
Tattva Level: pati
Shiva Form: Mahādeva
Sthala Purana: The bhasma motif aligns with Śaiva identity-markers: ash as the sign of impermanence and purification. In Jyotirliṅga pilgrimage culture, bhasma from the shrine/abhisheka is treated as protective prasāda and a reminder of Śiva’s supremacy over death and impurity.
Significance: Bhasma-dhāraṇa is presented as śuddhi (purification) and protection; contemplating Śiva as jagadīśa stabilizes the mind (Meru-like steadiness) and supports sustained sādhana.
Type: stotra
Role: nurturing
The verse presents Shiva as the auspicious, all-pervading essence and sovereign of the cosmos, while emphasizing inner and outer purity—especially the Shaiva ideal that sanctity arises from devotion, right knowledge, and the purifying grace symbolized by bhasma.
By praising Shiva’s “pure form” (śuddhavigraha) and his cosmic lordship, the verse supports Saguna worship—approaching the formless Pati through a holy, graspable focus such as the Shiva Linga and divine names, which refine the devotee’s mind toward liberation.
It points to bhasma-dhāraṇa (wearing sacred ash, traditionally as Tripuṇḍra) with reverence, along with steady meditation on Shiva as immovable like Meru and luminous with ojas—cultivating purity, stability, and devotion.