Shloka 72
Determination of the Householder’s Dharma
Dāna: Types, Recipients, Timing, and Fruits
न तां गतिमवाप्नोति संतोषाद्यामवाप्नुयात् । प्रतिग्रहरुचिर्न स्याच्छूद्रान्न तु समाहरेत्
na tāṃ gatimavāpnoti saṃtoṣādyāmavāpnuyāt | pratigraharucirna syācchūdrānna tu samāharet
彼は満足（知足）によって得られるはずの霊的境地を得ない。施しを受けることを好まず、またシュードラの食を受け取ってはならない。
Unspecified (contextual narrator/teacher voice within Svarga-khaṇḍa dialogue)
Concept: Santoṣa yields a higher spiritual attainment than acquisitive religiosity; avoid craving for gifts and maintain purity in food-intake.
Application: Practice ‘enoughness’: set a personal ceiling for possessions; accept help without attachment; be mindful of food sources and the ethics behind what you consume.
Primary Rasa: shanta
Secondary Rasa: karuna
Visual Art Cues: {"scene_description":"A calm householder-brāhmaṇa stands at his doorway with a simple begging bowl, receiving alms with a serene, unattached gaze. Behind him, a small altar with Viṣṇu’s śālagrāma and a lamp suggests devotion; in the foreground, two paths diverge—one lined with glittering gifts, the other with a single lotus labeled ‘santoṣa’.","primary_figures":["householder brāhmaṇa","Viṣṇu symbol (śālagrāma or small icon)","two anonymous donors (symbolic)"],"setting":"Threshold of a modest home with tulya (balanced) prosperity; a small shrine corner; village street outside.","lighting_mood":"golden dawn","color_palette":["lotus pink","warm gold","sandstone beige","leaf green","indigo"],"tanjore_prompt":"Tanjore painting style: serene brāhmaṇa at the doorway receiving a small offering without grasping; a shrine with śālagrāma and lamp behind; gold leaf halo-like radiance around the concept of santoṣa; rich reds/greens, ornate borders, gem-like highlights on vessels but restrained composition to emphasize detachment.","pahari_prompt":"Pahari miniature style: gentle domestic scene with refined faces; brāhmaṇa holding a simple bowl, donors offering modest food; soft dawn sky, delicate foliage; a symbolic lotus on the ground representing contentment; cool pastels with precise linework.","kerala_mural_prompt":"Kerala mural style: bold outlines; brāhmaṇa in composed posture, large expressive eyes; shrine elements simplified; two contrasting paths rendered as patterned bands—one crowded with gift motifs, one with lotus motifs; red/yellow/green palette with didactic clarity.","pichwai_prompt":"Pichwai cloth painting style: central figure of a devotee-householder with a small Viṣṇu shrine; lotus borders and floral vines; offerings depicted as stylized motifs; peacocks near the lotus-path; deep blue ground with gold and pink lotuses emphasizing santoṣa as devotional ornament."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft temple bells","morning birds","lamp crackle","gentle tanpura drone"]}
Sandhi Resolution Notes: गतिमवाप्नोति = गतिम् अवाप्नोति; संतोषाद्यामवाप्नुयात् = संतोषात् याम् अवाप्नुयात्; रुचिर्न = रुचिः न; स्याच्छूद्रान्न = स्यात् शूद्रात् न.
FAQs
It prioritizes contentment (saṃtoṣa) as a direct cause of higher spiritual attainment and warns against craving for gifts (pratigraha), presenting restraint as a mark of dharmic character.
In many Dharma-oriented passages, food is linked with ritual/social purity and the cultivation of sattva (clarity). The verse reflects that framework by advising the practitioner to be careful about what is accepted and from whom.
The broadly applicable lesson is to value contentment over acquisitiveness and to avoid dependence on unethical or compromising forms of support; it encourages integrity, simplicity, and disciplined acceptance.