Shloka 10
Description of Uttara-Kuru and the Meru-Flank Regions
Bhadrāśva, Sudarśana Jambū, Solar Attendants
एकमेवानुरूपं च चक्रवाकसमं द्विजाः । निरामयाश्च ते लोका नित्यं मुदितमानसाः
ekamevānurūpaṃ ca cakravākasamaṃ dvijāḥ | nirāmayāśca te lokā nityaṃ muditamānasāḥ
おお二度生まれの賢者たちよ、それらの世界は一つの調和に統べられ、チャクラヴァーカのつがいのごとし。病なく、住む者の心は常に歓喜している。
Unspecified narrator (context not provided in the single-verse input)
Concept: Worldly perfection—health, cheer, harmony—remains a realm-condition; the text subtly invites pursuit of the imperishable joy of Viṣṇu-bhakti beyond all lokas.
Application: Build ‘nirāmaya’ in daily life through sattvic habits, compassion, and steady devotion; treat happiness as a byproduct of dharma, not an entitlement.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: celestial_realm
Visual Art Cues: {"scene_description":"A tranquil celestial world unfolds where every being appears in paired harmony like cakravāka birds gliding on a still lake, never separated by sorrow. The inhabitants’ faces are luminous and relaxed, with no sign of illness; the air itself seems medicinal—clear, fragrant, and gently resonant with sacred sound.","primary_figures":["Cakravāka bird-pair (symbolic foreground)","Joyful celestial inhabitants","Dvija sages (as addressed)"],"setting":"Serene lake and garden city of svarga, with paired birds, clean pavilions, and flowering groves","lighting_mood":"moonlit","color_palette":["silver moonlight","aquamarine","white jasmine","soft gold","midnight blue"],"tanjore_prompt":"Tanjore painting style: moonlit celestial lake with a prominent cakravāka pair in the foreground, joyful disease-free inhabitants in ornate pavilions behind; gold leaf on architectural edges and halos, deep blues and greens, embossed ripples and lotus borders.","pahari_prompt":"Pahari miniature style: lyrical night scene with a calm lake, cakravāka pair near lotus pads, gentle smiling figures strolling in a garden city; cool moonlit palette, delicate brushwork, refined faces, subtle mist over water.","kerala_mural_prompt":"Kerala mural style: stylized lake band with paired birds, symmetrical pavilions and cheerful figures; bold outlines, strong color blocks (indigo, green, ochre), iconic eyes and calm smiles conveying ‘nityaṁ mudita-mānasaḥ’.","pichwai_prompt":"Pichwai cloth painting style: central cakravāka pair framed by lotus motifs and ornate borders; celestial garden with paired figures in repeating patterns; deep indigo cloth ground with silver-white highlights and gold detailing, devotional serenity."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Durga","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["soft conch shell","temple bells fading","night insects","still-water ambience","tanpura drone"]}
Sandhi Resolution Notes: एकमेव = एकम् + एव; एवाऽनुरूपं = एव + अनुरूपम्; निरामयाश्च = निरामयाः + च; मुदितमानसाः = मुदित + मानसाः (बहुव्रीहि)
FAQs
It indicates that the described worlds are free from disease and affliction—an idealized condition of complete wellbeing.
The cakravāka is a traditional poetic symbol of paired harmony and affectionate companionship; the verse uses it to suggest a uniformly harmonious, fitting nature of those realms.
It presents inner gladness as a defining feature of higher states of existence—implying that purity and harmony culminate in stable mental joy rather than fleeting pleasure.