Shloka 76

तत्र स्नात्वा तु राजेंद्र दानं दत्वा च शक्तितः । तस्य तीर्थप्रभावेण दत्तं भवति चाक्षयम्

tatra snātvā tu rājeṃdra dānaṃ datvā ca śaktitaḥ | tasya tīrthaprabhāveṇa dattaṃ bhavati cākṣayam

王の中の王よ、そこで沐浴し、力に応じて布施をなすなら、その施しはこのティールタの威力により、尽きることなく不滅となる。

tatraThere
tatra:
Adhikaraṇa (Location/अधिकरण)
TypeIndeclinable
Roottad (तद्)
FormAdverb of place (tr-suffix)
snātvāHaving bathed
snātvā:
Purvakala-kriya (Prior Action)
TypeIndeclinable
Rootsnā (स्ना)
FormKtva Pratyaya (Absolutive/Gerund)
tuIndeed/But
tu:
Connection
TypeIndeclinable
Roottu (तु)
FormConjunction/Particle
rājendraO King of Kings
rājendra:
Sambodhana (Address)
TypeNoun
Rootrājan + indra (राजन् + इन्द्र)
FormMasculine, Vocative (Sambodhana), Singular
dānamCharity/Gift
dānam:
Karma (Object/कर्म)
TypeNoun
Rootdāna (दान)
FormNeuter, Accusative (2nd/द्वितीया), Singular
datvāHaving given
datvā:
Purvakala-kriya (Prior Action)
TypeIndeclinable
Rootdā (दा)
FormKtva Pratyaya (Absolutive/Gerund)
caAnd
ca:
Connection
TypeIndeclinable
Rootca (च)
FormConjunction
śaktitaḥAccording to ability
śaktitaḥ:
Kriya-visheshana (Adverbial)
TypeIndeclinable
Rootśakti (शक्ति)
FormTasil Pratyaya (Suffix indicating 'according to' or 'from')
tasyaHis/Of that
tasya:
Sambandha (Relation/सम्बन्ध)
TypeNoun
Roottad (तद्)
FormMasculine, Genitive (6th/षष्ठी), Singular
tīrthaprabhāveṇaBy the power of the pilgrimage
tīrthaprabhāveṇa:
Karana (Instrument/करण)
TypeNoun
Roottīrtha + prabhāva (तीर्थ + प्रभाव)
FormMasculine, Instrumental (3rd/तृतीया), Singular
dattamGiven (thing)
dattam:
Karta (Subject/कर्ता) in passive sense
TypeAdjective
Rootdā (दा)
FormPast Passive Participle (Kta), Neuter, Nominative, Singular
bhavatiBecomes
bhavati:
Kriya (Action/क्रिया)
TypeVerb
Rootbhū (भू)
FormLat Lakara (Present), Prathama Purusha, Singular
caAnd
ca:
Connection
TypeIndeclinable
Rootca (च)
FormConjunction
akṣayamImperishable/Eternal
akṣayam:
Visheshana (Qualifier)
TypeAdjective
Rootakṣaya (अक्षय)
FormNeuter, Nominative (1st/प्रथमा), Singular

Not explicitly stated in the provided excerpt (contextually a narrator/teacher addressing a king as 'rājendra')

Concept: Charity given after sacred bathing, proportionate to one’s capacity, becomes akṣaya through tīrtha-prabhāva.

Application: Give regularly without strain or vanity; pair generosity with purification—simple acts like bathing, prayer, and mindful giving—so that dāna becomes a spiritual discipline rather than a transaction.

Primary Rasa: shanta

Secondary Rasa: adbhuta

Type: tirtha

Visual Art Cues: {"scene_description":"Pilgrims emerge from the Narmadā with wet hair and folded hands, then place coins, grain, and cloth into the hands of a waiting brāhmaṇa and the poor, beneath the shadow of the Sun-temple gateway. The river glitters behind them, suggesting that the tīrtha itself seals the gift into imperishable merit.","primary_figures":["Pilgrim donor (householder)","Brāhmaṇa recipient","Poor/elderly recipient (optional)","Temple priest","Narmadā (river presence)"],"setting":"Stone ghāṭa on Narmadā, donation pavilion (dāna-śālā) near the Āditya temple, baskets of grain, copper vessels, prayer flags","lighting_mood":"temple lamp-lit","color_palette":["warm amber","copper bronze","river teal","saffron cloth","stone gray"],"tanjore_prompt":"Tanjore painting style: foreground donor offering cloth and coins to a seated brāhmaṇa under a carved mandapa, thick gold leaf highlighting jewelry, donation vessels, and temple arch; background shows the Narmadā with stylized waves and a glowing sun emblem above the sanctum, rich reds/greens and ornate borders.","pahari_prompt":"Pahari miniature style: intimate riverside charity scene with delicate lines; donors in simple garments, recipients with gentle expressions; cool river tones and soft dawn light, the Sun-temple rendered as a small architectural jewel, emphasis on humane tenderness and restraint.","kerala_mural_prompt":"Kerala mural style: stylized figures in profile with bold outlines; the act of dāna centered, with ritual vessels and lamp flames; dominant reds and yellows, green river band, decorative lotus and vine motifs framing the moral act.","pichwai_prompt":"Pichwai cloth painting style: symmetrical composition—central mandapa where dāna occurs, flanked by lotus borders and peacocks; deep blue river behind, gold detailing on vessels and temple motifs; devotional atmosphere with patterned textiles and floral filigree."}

Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhupali","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["flowing water","coin clink (soft)","temple bells","murmured mantras"]}

Sandhi Resolution Notes: cākṣayam = ca + akṣayam (Savarna Dirgha Sandhi).

FAQs

It recommends bathing at the sacred tīrtha and giving charity according to one’s capacity.

It means the spiritual merit (puṇya) of the donation does not diminish; it yields enduring results due to the tīrtha’s sanctifying power.

Charity should be given sincerely within one’s means; even modest giving becomes highly fruitful when done with reverence in a sacred context.