The Marks of Merit and the Destinies of Beings
Divine vs Demonic Traits
इति श्रीपाद्मपुराणे प्रथमे सृष्टिखंडे पुण्यव्यक्तिर्नाम षट्सप्ततितमोऽध्यायः
iti śrīpādmapurāṇe prathame sṛṣṭikhaṃḍe puṇyavyaktirnāma ṣaṭsaptatitamo'dhyāyaḥ
かくして、尊き『パドマ・プラーナ』第一部スリシュティカンダにおける「プニャヴィヤクティ」と名づけられた第七十六章は終わる。
Narratorial colophon (textual closure line; not part of the dialogue)
Application: Use colophons to track adhyāya boundaries and thematic units (here: Puṇyavyakti), aiding disciplined study (svādhyāya).
Primary Rasa: shanta
Visual Art Cues: {"scene_description":"A palm-leaf manuscript lies open on a low wooden desk, the final line ‘iti…’ freshly inscribed in black ink, with a lotus watermark motif faintly visible on the leaf. A calm scribe’s hand rests beside a small Viṣṇu icon and a lamp, suggesting the sanctity of preserving the Purāṇa’s chapters.","primary_figures":["scribe (lekhaka)","symbolic Viṣṇu icon (small)"],"setting":"Traditional manuscript scriptorium with palm leaves, ink pot, stylus, and a small altar.","lighting_mood":"golden dawn","color_palette":["palm-leaf beige","ink-black","lamp-amber","vermillion","deep green"],"tanjore_prompt":"Tanjore painting style: a sacred manuscript desk scene with an open palm-leaf folio showing the ‘iti śrīpādmapurāṇe…’ colophon, a small Viṣṇu icon under an ornate arch, gold leaf highlighting the manuscript border and lamp flame, rich reds and greens, jewel-like detailing on the altar objects.","pahari_prompt":"Pahari miniature style: intimate indoor scene of a scribe finishing a chapter colophon, delicate linework on palm leaves, soft morning light through a lattice window, restrained palette, refined facial features, quiet devotional atmosphere.","kerala_mural_prompt":"Kerala mural style: stylized scribe and manuscript with bold outlines, prominent lamp and conch motifs, flat temple-wall composition, warm reds/yellows/greens, decorative creepers framing the colophon text panel.","pichwai_prompt":"Pichwai cloth painting style: central manuscript panel bordered by lotus vines and floral arabesques, small Viṣṇu-padukā motif above, deep indigo background with gold script-like ornamentation, symmetrical textile composition emphasizing sacred textual closure."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft tanpura drone","gentle temple bell","page/leaf rustle","silence"]}
Sandhi Resolution Notes: पुण्यव्यक्तिर्नाम = पुण्यव्यक्तिः + नाम; षट्सप्ततितमोऽध्यायः = षट्-सप्ततितमः + अध्यायः (अः + अ → ओऽ)
This is a colophon-style closure line marking the end of Adhyaya 76; it functions as a structural/citation aid rather than narrative dialogue.
It is the chapter title/name (nāma) used to identify Adhyaya 76 within Book 1 (Sṛṣṭikhaṇḍa).
Cite it as Padma Purāṇa, Book 1 (Sṛṣṭikhaṇḍa), Adhyaya 76 (Puṇyavyakti), concluding colophon verse.