Shloka 72
The Jyeṣṭha Full-Moon Vow, the Birth of the Maruts, and the Outline of Secondary Creation
Manvantaras
दैत्याधिपानामथ दानवानां प्रह्लादमीशं च यमं पितॄणाम् । पिशाचरक्षःपशुभूतयक्षवेतालराजं ह्यथ शूलपाणिम्
daityādhipānāmatha dānavānāṃ prahlādamīśaṃ ca yamaṃ pitṝṇām | piśācarakṣaḥpaśubhūtayakṣavetālarājaṃ hyatha śūlapāṇim
ついで彼は、プラフラーダ（Prahlāda）をダイティヤとダーナヴァの主として讃え、ヤマ（Yama）をピトリ（Pitṛ、祖霊）の統御者とし、さらに三叉を執るシュ―ラパーニ（Śūlapāṇi）を、ピシャーチャ、ラークシャサ、獣、ブータ、ヤクシャ、ヴェーターラの王として讃えた。
Unclear from the single-verse excerpt (context needed from surrounding verses).
Concept: No realm is outside order: even daityas, pitṛs, and bhūta-hosts have appointed regulators, ensuring moral causality and restraint.
Application: Cultivate devotion and integrity in adverse environments; respect pitṛ-kārya (ancestral duties) and ethical restraint knowing karmic governance is real.
Primary Rasa: adbhuta
Secondary Rasa: bhayanaka
Type: celestial_realm
Visual Art Cues: {"scene_description":"A twilight cosmic corridor divides luminous heavens from shadowed liminal realms. Prahlāda stands with folded hands, crowned not by pride but by devotion; Yama sits sternly with a noose beside ancestral fires; Śūlapāṇi towers as a protective, fearsome regent over bhūtas and yakṣas, holding the trident amid swirling spirits.","primary_figures":["Prahlāda","Yama","Śūlapāṇi (Śiva/Rudra)","Pitṛs","Bhūtas","Yakṣas","Vetālas"],"setting":"Threshold between Pitṛloka and a cremation-ground-like liminal landscape, with distant celestial architecture and ancestral altars.","lighting_mood":"moonlit","color_palette":["ash gray","midnight blue","smoldering orange","bone white","deep maroon"],"tanjore_prompt":"Tanjore painting style: Prahlāda with serene bhakti posture receiving a crown, Yama enthroned with pāśa and danda near śrāddha fire, Śūlapāṇi radiant yet fierce commanding bhūta-yakṣa hosts; gold leaf halos contrasting with dark background, jewel ornaments, ornate arch framing liminal realms.","pahari_prompt":"Pahari miniature style: moonlit scene with delicate spirits in mist, Prahlāda calm and luminous, Yama austere beside ancestral offerings, Śūlapāṇi as protective guardian; cool palette, fine linework, lyrical clouds and sparse trees, subtle cremation-ground cues without gore.","kerala_mural_prompt":"Kerala mural style: Śūlapāṇi dominant with trident, large stylized eyes, patterned garments; Yama and Prahlāda in balanced registers; bold outlines, earthy reds and yellows, temple-wall symmetry with decorative borders.","pichwai_prompt":"Pichwai cloth painting style: devotional Prahlāda motif centered with floral borders; surrounding medallions depict Yama with pitṛ offerings and Śūlapāṇi with bhūta attendants; deep indigo cloth, gold highlights, stylized lotuses and peacocks subdued to match nocturnal theme."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["low drum pulse","distant conch shell","crackling fire","night insects","brief silences"]}
Sandhi Resolution Notes: दैत्याधिपानामथ = दैत्याधिपानाम् + अथ; प्रह्लादमीशम् = प्रह्लादम् + ईशम्; पिशाचरक्षः... = पिशाच + रक्षः (रक्षस्) + ... (समास); ह्यथ = हि + अथ
FAQs
The verse reflects a Purāṇic model of cosmic administration, where distinct classes of beings (ancestors, spirits, daityas, etc.) are governed by appointed lords, expressing order within the universe.
‘Śūlapāṇi’ means “trident-bearer,” highlighting Śiva’s authoritative, protective, and disciplinary aspect, appropriate to his rulership over powerful and liminal spirit-classes.
Even within the Sṛṣṭikhaṇḍa’s creation-oriented material, the text often presents a structured cosmos with multiple divine authorities, showing a syncretic Purāṇic worldview alongside later, more explicitly Vaiṣṇava emphases elsewhere in the Purāṇa.