Shloka 66
The Birth of Tāraka and the Prelude to the Deva–Asura War
Topic-based Title
तमुवाच ततो ब्रह्मा देहिनां मरणं ध्रुवम् । यतस्ततोपि वरय मृत्युं यस्मान्न शंकसे
tamuvāca tato brahmā dehināṃ maraṇaṃ dhruvam | yatastatopi varaya mṛtyuṃ yasmānna śaṃkase
すると梵天は彼に告げた。「身を持つ者には死は必定である。ゆえに汝が恐れぬのなら、恩寵として望む死を選べ。」
Brahmā
Concept: For all embodied beings, death is certain; wisdom lies in facing mortality without delusion and choosing in alignment with one’s inner disposition.
Application: Contemplate mortality to reduce fear-driven choices; set priorities toward lasting values (seva, remembrance, ethical restraint) rather than egoic control.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"In a vast lotus-born cosmic hall, four-faced Brahmā sits upon a radiant padma-throne, his calm gaze fixed on a proud Daitya petitioner. The air is still, as if time itself pauses while Brahmā pronounces the unbreakable law of embodied life—death is certain—inviting the petitioner to choose his destined end.","primary_figures":["Brahmā (Caturmukha)","Daitya petitioner (unnamed in this verse context)","attendant sages (optional)"],"setting":"Cosmic court within Brahmā’s loka: lotus motifs, Vedic manuscripts, swan (haṃsa) emblem, subtle starfield beyond pillared arches.","lighting_mood":"divine radiance","color_palette":["lotus pink","saffron gold","ivory white","deep maroon","celestial indigo"],"tanjore_prompt":"Tanjore painting style: Brahmā seated on a large lotus throne with gold leaf halo and ornate arch, four faces serene, holding kamaṇḍalu and Vedas; a proud Daitya stands with folded hands yet defiant posture; heavy gold leaf embellishment on jewelry and throne, rich reds and greens, gem-studded ornaments, traditional South Indian iconography, symmetrical composition, intricate floral borders.","pahari_prompt":"Pahari miniature style: a delicate cosmic pavilion with lotus columns, Brahmā calm and luminous, the Daitya petitioner in regal attire; cool indigo background with fine star-dots, lyrical naturalism, refined facial features, soft gradients, thin gold accents, gentle atmospheric depth.","kerala_mural_prompt":"Kerala mural style: bold black outlines, Brahmā with characteristic large eyes and serene expression, lotus throne and swan emblem, the Daitya in strong reds; natural pigment palette with dominant yellows/reds/greens, temple-wall aesthetic, stylized clouds and floral motifs framing the dialogue.","pichwai_prompt":"Pichwai cloth painting style: central lotus mandala with Brahmā enthroned, ornate floral borders and lotus vines, peacocks at corners; deep blue ground with gold detailing, devotional symmetry, intricate patterns emphasizing the cosmic law being spoken."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"authoritative","sound_elements":["soft temple bells","low drone (tanpura)","silence between phrases","distant conch shell"]}
Sandhi Resolution Notes: tamuvāca = tam + uvāca; tatopi = tataḥ + api (visarga-lopa); yasmānna = yasmāt + na (t + n → nn by sandhi).
FAQs
It states that death is inevitable for all embodied beings, and highlights fearlessness toward death as a noteworthy spiritual quality.
No. This verse is doctrinal and ethical, focusing on mortality and the attitude of fearlessness rather than places or tīrtha geography.
Since death is unavoidable, one should live with courage and clarity, and—when granted a choice—seek what aligns with dharma rather than acting from fear.