Shloka 84
Mārkaṇḍeya’s Birth and Boon; Puṣkara’s Glory; Rāma’s Śrāddha; Refuge-Hymn to Śiva
जंबीराणि च मुख्यानि मूलानि विविधानि च । पक्वानि च कपित्थानि फलान्यन्यानि यानि च
jaṃbīrāṇi ca mukhyāni mūlāni vividhāni ca | pakvāni ca kapitthāni phalānyanyāni yāni ca
その中でも第一はジャンビーラ（香橼）であり、さまざまな根菜もある。また熟したカピッタ（ウッドアップル）や、ほかにあるあらゆる果実も。
Unspecified (narrative list within Sṛṣṭikhaṇḍa context; speaker not determinable from single verse alone)
Concept: Dharma is supported by mindful use of available, wholesome resources; sacred acts can be fulfilled with simple, pure forest produce.
Application: Practice simplicity: use honest, clean, seasonal foods for worship/charity; avoid waste; cultivate gratitude for nature’s provisions.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: forest
Visual Art Cues: {"scene_description":"A still-life-like sacred catalogue unfolds: baskets of citrons, ripe kapittha, and assorted roots arranged on kusa grass near a hermitage altar. The abundance feels humble rather than opulent—nature’s pantry offered back to the sacred order.","primary_figures":["Forest attendants (optional)","Hermitage sages (distant, optional)"],"setting":"Hermitage clearing with woven baskets, kusa mats, clay pots, and a small altar space","lighting_mood":"golden dawn","color_palette":["citrus yellow","moss green","clay brown","pale saffron","smoke gray"],"tanjore_prompt":"Tanjore painting style: ornate still-life of ritual offerings—citrons, wood-apples, roots—arranged before a small altar; gold leaf highlights on vessels and borders, rich reds/greens framing, South Indian decorative motifs, subtle divine auspiciousness without crowded figures.","pahari_prompt":"Pahari miniature style: delicate baskets of fruits and roots on a kusa mat, soft dawn light, fine botanical detailing, gentle gradients, a quiet hermitage in the background with slender trees and a streamlet hinted in pale wash.","kerala_mural_prompt":"Kerala mural style: stylized symmetrical arrangement of citrons and kapittha with bold outlines; earthen pots and ritual implements; warm red/yellow/green palette, temple-wall composition emphasizing auspicious order.","pichwai_prompt":"Pichwai cloth painting style: offerings arranged in devotional symmetry with lotus and floral borders; deep blue ground with gold detailing; peacocks and vines framing the produce as sacred naivedya, intricate textile-like patterning."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Bhupali","pace":"moderate-narrative","voice_tone":"serene","sound_elements":["soft rustle of leaves","distant birds","low hermitage murmurs","gentle silence"]}
Sandhi Resolution Notes: phalānyanyāni = phalāni + anyāni (vowel sandhi: i+a → yā). Many neuter plural forms are syncretic (Nom./Acc.).
FAQs
It is a catalogue-style line listing edible produce—citrons (jambīra), various roots/tubers (mūla), ripe wood-apples (kapittha), and other fruits—typical of encyclopedic passages in the Padma Purāṇa.
Jambīra commonly refers to citron/large lemon-like citrus; kapittha is commonly identified as the wood-apple (Limonia acidissima).
Not explicitly; it functions primarily as descriptive enumeration. Any ethical takeaway is indirect—highlighting abundance and the ordered diversity of creation rather than a direct devotional injunction.