Shloka 55
Viśokā Dvādaśī Vow, Guḍa-Dhenū (Jaggery-Cow) Gift, and Śaila-Dāna (Mountain-Charity) Rites
वत्सं भारेण कुर्वीत भाराभ्यां मध्यमा स्मृता । अर्द्धभारेण वत्सस्स्यात्कनिष्ठा भारकेण तु
vatsaṃ bhāreṇa kurvīta bhārābhyāṃ madhyamā smṛtā | arddhabhāreṇa vatsassyātkaniṣṭhā bhārakeṇa tu
子牛は一 bhāra の重さで作るべし。二 bhāra なら madhyamā（中品）と呼ばれる。半 bhāra なら vatsa となり、最小（kaniṣṭhā）は一 bhāraka による。
Unspecified (context not provided; likely a narrator or an instructive speaker in a dialogue)
Concept: Dharma accommodates capacity: graded measures (kaniṣṭha–madhyama–uttama) allow participation without breaking śāstric integrity.
Application: Scale your vows and donations to your means, but keep them consistent and well-defined; avoid both negligence and performative excess.
Primary Rasa: shanta
Visual Art Cues: {"scene_description":"A ritual table displays neat piles of jaggery or clay portions labeled by weight—bhāra, two bhāras, half-bhāra—while a priest points to a palm-leaf manual. The donor listens attentively, understanding that devotion can be measured without being diminished, and that proportion itself is a form of purity.","primary_figures":["Ritual instructor (ācārya)","Vaishnava donor","Offerings arranged by measure (vatsa/madhyamā/kaniṣṭhā)"],"setting":"Temple mandapa or household yajña-space with scales, weights, palm-leaf manuscript, and offering platform.","lighting_mood":"temple lamp-lit","color_palette":["lamp-flame amber","palm-leaf tan","vermillion red","chalk white","deep green"],"tanjore_prompt":"Tanjore painting style: an ācārya beside a balance scale and ritual weights instructs a donor; offerings arranged in three graded heaps; gold leaf highlights on vessels and halos, rich maroon backdrop, ornate borders and jewelry.","pahari_prompt":"Pahari miniature style: intimate indoor mandapa scene with fine textiles; a small scale and labeled measures; gentle expressions, delicate brushwork, cool shadows, refined detailing on manuscripts and vessels.","kerala_mural_prompt":"Kerala mural style: stylized teacher and donor with bold outlines; prominent balance scale and ritual items; flat pigments, rhythmic patterns, red-yellow-green dominance with black contouring.","pichwai_prompt":"Pichwai cloth painting style: symmetrical composition with three offering piles framed by lotus creepers; subtle Vaishnava symbols (śaṅkha-cakra) in corners; deep indigo field with gold floral borders and miniature cows."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["soft bell strokes","murmured mantra undertone","rustle of palm leaves","gentle footfalls in mandapa"]}
Sandhi Resolution Notes: vatsassyāt = vatsaḥ + syāt (visarga before s → ss).
FAQs
It defines traditional units of measure/weight by relating ‘vatsa’, ‘madhyamā’, and ‘kaniṣṭhā’ to bhāra and bhāraka quantities.
Not directly; it is primarily technical/instructional, reflecting the Purāṇic tendency to preserve practical norms (such as measures) alongside religious narratives.
As encyclopedic texts, Purāṇas often record social, ritual, and administrative conventions—like measures and standards—supporting dharma in daily life and ritual practice.