Shloka 198
Kroṣṭu–Yādava Lineages, the Syamantaka Jewel, Krishna’s Birth Context, and the Māyāmoha Account
असम्पन्नमिदं सर्वं यावद्वर्षायुतं पुनः । पर्यायेणैव सम्प्राप्ते त्रैलोक्यं पाकशासने
asampannamidaṃ sarvaṃ yāvadvarṣāyutaṃ punaḥ | paryāyeṇaiva samprāpte trailokyaṃ pākaśāsane
かくして万年のあいだ一切はなお成就せず、やがて統治の順番が到来すると、三界はパーカシャーサナ（インドラ）のもとに帰した。
Unspecified in the provided excerpt (context needed from surrounding verses of Adhyaya 13).
Concept: Cosmic order unfolds in cycles; authority shifts by ordained turn (paryāya), not merely by force.
Application: When outcomes seem delayed, maintain steadiness; roles and fortunes change with time—act dharmically and be patient with long arcs.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: celestial_realm
Visual Art Cues: {"scene_description":"A vast cosmic tableau shows the three worlds settling into alignment as Indra assumes the throne of Amarāvatī. Time is suggested through concentric rings of seasons and yugas, while the devas gather with subdued awe as order returns after a long suspension.","primary_figures":["Indra (Pākaśāsana)","Devas (assembly)","Personified Kāla (subtle, symbolic)"],"setting":"Celestial court of Amarāvatī overlooking symbolic layers of Bhūḥ, Bhuvaḥ, Svaḥ","lighting_mood":"divine radiance","color_palette":["sapphire blue","gold leaf","cloud white","emerald green","sunrise orange"],"tanjore_prompt":"Tanjore painting style: Indra enthroned in Amarāvatī with a radiant halo, devas in symmetrical rows, ornate archways and lotuses, heavy gold leaf embellishment on crown and throne, rich reds and greens, gem-studded ornaments, traditional South Indian iconography, layered clouds framing the three worlds below.","pahari_prompt":"Pahari miniature style: Indra seated on a delicate throne amid pale clouds, refined devas with gentle expressions, lyrical depiction of the three worlds as terraced landscapes, cool blues and greens, fine linework, soft gradients, Himalayan-like distant ridges to symbolize cosmic layers.","kerala_mural_prompt":"Kerala mural style: Indra with bold black outlines and large expressive eyes, stylized devas in rhythmic composition, natural pigment palette with dominant reds/yellows/greens, temple-wall aesthetic, cloud bands and lotus medallions indicating the three worlds.","pichwai_prompt":"Pichwai cloth painting style: celestial court framed by intricate lotus borders, deep blue background with gold highlights, Indra centered with ornate textiles, surrounding motifs of lotuses and auspicious symbols, symmetrical floral patterns suggesting cosmic order returning."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["conch shell","temple bells","soft drone","distant thunder (fading)","silence between phrases"]}
Sandhi Resolution Notes: यावद्वर्षायुतं = यावत् + वर्षायुतम्; पर्यायेणैव = पर्यायेण + एव; सम्प्राप्ते (सप्तमी-absolute) with implied ‘काले’; त्रैलोक्यं = त्रैलोक्यम् (anusvāra sandhi before pākaśāsane).
FAQs
Pākaśāsana is an epithet of Indra, meaning “the chastiser of Pāka,” referring to Indra’s victory over a being named Pāka in Purāṇic tradition.
Varṣāyuta literally means “ten thousand years” (varṣa = year, ayuta = 10,000), indicating a long interval during which matters remained unresolved.
It reflects Purāṇic ideas of cyclical time and orderly succession of cosmic administration, where rulership over the three worlds shifts “in due course” (paryāyeṇa).