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Shloka 12

अम्बायाः तपोदीक्षा–रुद्रवर–आत्मदाहः

Amba’s Ascetic Vow, Rudra’s Boon, and Self-Immolation

कृते विवाहे तु तदा सा कन्या राजसत्तम । यौवनं समनुप्राप्ता सा च कन्या शिखण्डिनी,नृपश्रेष्ठी हिरण्यवर्माकी पुत्री भी युवावस्थाको प्राप्त थी। इधर टद्रुपदकी कन्या शिखण्डिनी भी पूर्ण युवती हो गयी थी। विवाहकार्य सम्पन्न हो जानेपर पत्नीसहित शिखण्डी पुनः काम्पिल्य नगरमें आया। दशार्णराजकी कन्याने कुछ ही दिनोंमें यह समझ लिया कि शिखण्डी तो स्त्री है

kṛte vivāhe tu tadā sā kanyā rājasattama | yauvanaṃ samanupprāptā sā ca kanyā śikhaṇḍinī ||

ドルパダは言った。「そのとき婚礼がしかるべく執り行われると、あの乙女は――王の中の最上よ――すでに若さの盛りに達していた。ドルパダの子シカンディニーもまた、同じく完全な青春に至っていたのだ。」

कृतेwhen (it was) done/completed
कृते:
Adhikarana
TypeAdjective
Rootकृ (धातु) → कृत (कृदन्त-प्रातिपदिक)
Formneuter, locative, singular
विवाहेin the marriage
विवाहे:
Adhikarana
TypeNoun
Rootविवाह
Formmasculine, locative, singular
तुbut/indeed
तु:
TypeIndeclinable
Rootतु
तदाthen/at that time
तदा:
TypeIndeclinable
Rootतदा
साshe/that (woman)
सा:
Karta
TypeNoun
Rootतद् (सर्वनाम)
Formfeminine, nominative, singular
कन्याmaiden/girl
कन्या:
Karta
TypeNoun
Rootकन्या
Formfeminine, nominative, singular
राजसत्तमO best of kings
राजसत्तम:
TypeNoun
Rootराजसत्तम (राजन् + सत्तम)
Formmasculine, vocative, singular
यौवनम्youth
यौवनम्:
Karma
TypeNoun
Rootयौवन
Formneuter, accusative, singular
समनुप्राप्ताhaving attained/reached
समनुप्राप्ता:
TypeVerb
Rootसम्-अनु-प्र-आप् (धातु) → प्राप्त (कृदन्त) + आ (स्त्री.)
Formfeminine, nominative, singular, active (past participle used predicatively)
साshe
सा:
Karta
TypeNoun
Rootतद् (सर्वनाम)
Formfeminine, nominative, singular
and
:
TypeIndeclinable
Root
कन्याthe maiden
कन्या:
Karta
TypeNoun
Rootकन्या
Formfeminine, nominative, singular
शिखण्डिनीShikhaṇḍinī
शिखण्डिनी:
Karta
TypeNoun
Rootशिखण्डिनी
Formfeminine, nominative, singular

दुपद उवाच

द्रुपद (Drupada)
शिखण्डिनी (Śikhaṇḍinī)

Educational Q&A

The verse highlights a dharmic dilemma: even when rites like marriage are properly completed, ethical strain can arise if lived reality (here, Śikhaṇḍinī’s gender) conflicts with social expectations. It foreshadows how adherence to external form alone may not resolve questions of truth, duty, and harm.

Drupada reports that after the marriage was performed, both the bride (the other maiden) and Śikhaṇḍinī had reached full youth. This prepares the next development in the story, where the spouse begins to realize Śikhaṇḍinī is female, triggering crisis in the marriage and at court.