Shloka 117
Śuka’s Guṇa-Transcendence and Vyāsa’s Consolation (शुकगति-वर्णनम्)
राजेन्द्र! यह जो अव्यक्त प्रकृति सबका उपादान कारण है, यही पूर्वोक्त तीस कलाओंके रूपमें व्यक्तभावको प्राप्त हुई है। मैं, आप तथा जो अन्य शरीरधारी हैं, उन सबके शरीरोंकी उत्पत्ति प्रकृतिसे ही हुई है ११६ ।।
rājendra! ayaṃ yo 'vyaktaḥ prakṛtiḥ sarvasya upādāna-kāraṇam, saiva pūrvoktāḥ triṃśat-kalā-rūpeṇa vyakta-bhāvaṃ prāptā. ahaṃ bhavān ca ye cānye śarīra-dhāriṇaḥ, teṣāṃ sarveṣāṃ śarīrāṇāṃ utpattiḥ prakṛter eva. bindu-nyāsādayo 'vasthāḥ śukra-śoṇita-sambhavāḥ, yāsām eva nipātena kalalaṃ nāma jāyate.
ビーシュマは言った。「王の中の王よ、未顕のプラクリティ（物質的自然）こそ、万有の質料因である。先に説いたそのプラクリティは、三十の構成原理として顕現する。われの身も、汝の身も、その他いかなる有身の者の身も、ただプラクリティより生ずる。そこには、種を置くことに始まる段階があり、精と血より生じたものが合わさることで、『カララ（kalala）』と呼ばれる物質が形づくられるのだ。」
भीष्य उवाच
Educational Q&A
Bhishma explains a causal account of embodiment: the unmanifest Prakriti is the material cause of all bodies and becomes manifest through a structured set of constituents (here described as thirty ‘kalās’). Individual embodied existence is thus grounded in impersonal nature rather than in mere chance or isolated agency.
In the Shanti Parva’s instruction to the king, Bhishma shifts from metaphysical principles to a concrete illustration—human generation—describing early embryonic formation: from the deposition of seed and the conjunction of semen and blood arises the initial embryonic mass called kalala.