Previous Verse
Next Verse

Shloka 2

Adhyāya 65: Dawn Assembly, Makara–Śyena Vyūhas, and Commander Engagements

नित्यं हि मामकांस्तात हतानेव हि शंससि । अव्यग्रांश्न प्रह्ष्टांक्ष नित्यं शंससि पाण्डवान्‌,तात! तुम प्रतिदिन मेरे ही सैनिकोंके मारे जानेकी बात कहते हो और पाण्डवोंको सदा व्यग्रतासे रहित तथा हर्षोल्लाससे परिपूर्ण बताते हो

dhṛtarāṣṭra uvāca |

nityaṃ hi māmakāṃs tāta hatān eva hi śaṃsasi |

avyagrān prahṛṣṭākṣān nityaṃ śaṃsasi pāṇḍavān |

ドリタラーシュトラは言った。「我が子よ、お前はいつも我が軍の者どもを、すでに討たれたかのように語る。しかもパーンダヴァたちは、常に乱れず、喜びに目を輝かせていると告げるのだ。」

नित्यम्always
नित्यम्:
TypeIndeclinable
Rootनित्य
हिindeed/for
हि:
TypeIndeclinable
Rootहि
मामकान्my (men)/our side's (warriors)
मामकान्:
Karma
TypeAdjective
Rootमामक
FormMasculine, Accusative, Plural
तातdear son
तात:
TypeNoun
Rootतात
FormMasculine, Vocative, Singular
हतान्slain
हतान्:
Karma
TypeAdjective
Rootहन् (हत)
FormMasculine, Accusative, Plural
एवonly/just
एव:
TypeIndeclinable
Rootएव
हिindeed
हि:
TypeIndeclinable
Rootहि
शंससिyou report/tell/praise
शंससि:
TypeVerb
Rootशंस्
FormPresent, Second, Singular, Parasmaipada
अव्यग्रान्unagitated/untroubled
अव्यग्रान्:
Karma
TypeAdjective
Rootअव्यग्र
FormMasculine, Accusative, Plural
प्रहृष्टान्delighted/joyful
प्रहृष्टान्:
Karma
TypeAdjective
Rootप्रहृष्ट
FormMasculine, Accusative, Plural
and
:
TypeIndeclinable
Root
नित्यम्always
नित्यम्:
TypeIndeclinable
Rootनित्य
शंससिyou report/tell/praise
शंससि:
TypeVerb
Rootशंस्
FormPresent, Second, Singular, Parasmaipada
पाण्डवान्the Pandavas
पाण्डवान्:
Karma
TypeNoun
Rootपाण्डव
FormMasculine, Accusative, Plural
तातdear son
तात:
TypeNoun
Rootतात
FormMasculine, Vocative, Singular

धृतराष्ट उवाच

D
Dhṛtarāṣṭra
S
Sañjaya
K
Kauravas (māmakāḥ)
P
Pāṇḍavas

Educational Q&A

The verse exposes how attachment and partisanship distort perception: Dhṛtarāṣṭra hears the war-news through the lens of “mine” (māmakāḥ) versus “theirs” (Pāṇḍavāḥ), and reacts to reports not with ethical reflection but with anxious self-interest.

Dhṛtarāṣṭra complains to Sañjaya that the battlefield reports repeatedly sound like the Kaurava side is being destroyed, while the Pāṇḍavas are portrayed as calm and jubilant—revealing the king’s fear for his sons and his suspicion toward the messenger’s narration.