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Shloka 49

Aṣṭāvakra–Strī-saṃvāda: Dhṛti, hospitality, and a dispute on autonomy

हार्योयं विषयो ब्रह्मन्‌ गान्धर्वो नाम नामतः । छन्‍्दतो वर्ततां विप्र यथा वदति वा भवान्‌,“ब्रह्मन! यह नृत्य-गीतका विषय जिसे “गान्धर्व” नाम दिया गया है बड़ा मनोहारी है; अतः यदि आपकी इच्छा हो तो यह आयोजन कुछ दिन और इसी तरह चलता रहे अथवा विप्रवर! आप जैसी आज्ञा दें वैसा किया जाय

hāryo’yaṁ viṣayo brahman gāndharvo nāma nāmataḥ | chandato vartatāṁ vipra yathā vadati vā bhavān ||

ビーシュマは語った。「おお、バラモンよ。歌と舞のこの道は『ガーンダルヴァ(Gāndharva)』と呼ばれ、まことに心を奪う。ゆえに、もし望まれるなら、この催しを同じ趣のまま、なお幾日か続けよう。あるいは、バラモンの中の最勝者よ、あなたの仰せのとおりに、寸分違わず執り行おう。」

हार्यःcharming, delightful
हार्यः:
Karta
TypeAdjective
Rootहार्य
FormMasculine, Nominative, Singular
अयम्this
अयम्:
Karta
TypePronoun
Rootइदम्
FormMasculine, Nominative, Singular
विषयःtopic, subject
विषयः:
Karta
TypeNoun
Rootविषय
FormMasculine, Nominative, Singular
ब्रह्मन्O Brahmin
ब्रह्मन्:
TypeNoun
Rootब्रह्मन्
FormMasculine, Vocative, Singular
गान्धर्वःGāndharva (art of song/dance/music)
गान्धर्वः:
Karta
TypeNoun
Rootगान्धर्व
FormMasculine, Nominative, Singular
नामname
नाम:
TypeNoun
Rootनामन्
FormNeuter, Nominative, Singular
नामतःby name, in name
नामतः:
TypeIndeclinable
Rootनामतः
छन्दतःas you please; according to wish
छन्दतः:
TypeIndeclinable
Rootछन्दतः
वर्तताम्let it continue; let it proceed
वर्तताम्:
TypeVerb
Rootवृत्
FormImperative (Vidhi-lin), Third, Singular, Atmanepada
विप्रO Brahmin
विप्र:
TypeNoun
Rootविप्र
FormMasculine, Vocative, Singular
यथाas, according as
यथा:
TypeIndeclinable
Rootयथा
वदतिsays, speaks
वदति:
TypeVerb
Rootवद्
FormPresent (Lat), Third, Singular, Parasmaipada
वाor
वा:
TypeIndeclinable
Rootवा
भवान्you (honorific)
भवान्:
Karta
TypePronoun
Rootभवत्
FormMasculine, Nominative, Singular

भीष्म उवाच

B
Bhīṣma
B
brāhmaṇa/vipra (addressed person)
G
Gāndharva (music and dance tradition)

Educational Q&A

The verse models dhārmic courtesy and restraint: even when something is pleasing, Bhishma defers to the decision of the learned Brahmin, showing respect for authority, propriety, and right conduct in communal settings.

Bhishma comments on an ongoing musical-dance performance (called Gāndharva), praising its charm and then inviting the Brahmin to decide whether it should continue for more days or be arranged differently according to his instruction.