
Darśa–Pūrṇamāsa (New- and Full-Moon sacrifices) within the Śrauta Iṣṭi-cycle; specifically the yajamāna’s and adhvaryu’s operational mantras for preparing/establishing the fires and executing core offering-actions (āghāra/ājya-handling, puroḍāśa-related handling, and ancillary appeasement/protection formulas) as transmitted in the Kṛṣṇa Yajurveda Taittirīya Saṃhitā Kṛṣṇa-Yajus prose-mantra style.
TS 2.2.2 continues the Kṛṣṇa Yajurveda’s Darśa–Pūrṇamāsa liturgy by supplying adhvaryu-directed prose mantras that “instrumentalize” the rite: they sacralize implements, regulate the movement of ghee and oblations, and align each physical manipulation with a cosmological referent (Agni as mouth of the gods, Soma/food as support, Prajāpati as totality). The chapter exemplifies the Taittirīya technique of embedding brāhmaṇa-like rationale inside mantra-prose, thereby collapsing exegesis and performance into a single recitation stream. Its theological center is the conversion of domestic materials (fuel, ghee, cakes, ladles) into divine media through naming, delimitation, and apotropaic sealing. Recurrent motifs—“for Agni,” “for the gods,” “for prosperity/strength,” and boundary-making against injury—show how the iṣṭi is construed as a controlled exchange: the sacrificer offers ordered nourishment and receives stability, offspring, and social legitimacy. The prapāṭhaka thus functions as a procedural hinge between preparation and the decisive offering-moments.
Predominantly brāhmaṇa-style vidhi with embedded mantra-quotations; the narrative-etiology (Prajāpati–Indrāgnī) motivates the prescription, then shifts into conditional applications (travel, conflict, public assembly) and add-on offerings (Pūṣan, Kṣetrapati).
Vidhi-prose prescribing Agni-epithet offerings (Pathikṛt, Vratapati, Rakṣoghna, Rudravant, Surabhimat, Kṣāmavat) with situational triggers; includes timing notes (e.g., night) and protective framing.
Series of desire-targeted Agni modules (Kāma, Yaviṣṭha, Āyuṣmat, Jātavedas, Rukmat, Tejasvat, Sāhantya) expressed as compact vidhi with outcome statements.
Vidhi-prose mapping food/sovereignty faculties (annavat, annāda, annapati) and triad of Pavamāna/Pāvaka/Śuci to prāṇa/vāc/āyus (and caksus), plus progeny and prosperity modules; includes Agni-Jyotiṣmat recovery logic.
Composite iṣṭi cluster: Vaiśvānara (12 kapāla) with Varuṇa and Dadhikrāvan adjuncts; includes prajā logic, purification framing, and chandas/kapāla correspondences; also addresses calendar irregularity and fire ‘sending away’ contexts.
Situational Vaiśvānara applications: conflict departure, eating ‘enemy food’ metaphor, oath/reciprocity tensions, acceptance/receiving dilemmas, commerce/transaction travel, and re-stabilization by repeating the module.
Indra-centered modules: Indra carū for livestock/wealth, Indra epithets (indriyavat, gharmavat, arkavat, aṃhomuc, vaimṛdha, trātṛ, arkāśvamedhavāt) keyed to outcomes; compact vidhi with functional theology.
Further Indra modules: Anvṛjva (community cohesion), Indrāṇī (army cohesion), Manyumat/Manasvat (victory via controlled wrath/mind), Dātṛ/Pradātṛ (gift-flow), Sutraman (protection), plus mythic vignette on Indra’s empowerment and protective yājyā/anुवाक्य choices (Sakvarī/Revatī).
Agni–Viṣṇu (Agnāvaiṣṇava) modules for countering hostile ritual pressure and for restoring yajña; includes Sarasvatī ājyabhāga and Bārhaspatya carū as speech and brahman supports; also maps kapāla counts to the three savanas (8/11/12) and includes a Maitrāvaruṇa ekakapāla note.
Somarāudra carū as radiance-restoration and prestige module; includes calendrical note (Tiṣyā-pūrṇamāsa), boundary/containment framing, and a secondary module (Somāpauṣṇa) for protective normalization; ends with a spatial ‘half/half’ prescription for generating an internal rival within one’s own domain (encoded as geometric partitioning).
Community and hierarchy alignment: Indra+Marut modules for village cohesion; explicit call-and-response instruction (anu-brūhi / yaje) to distribute shares; then a ‘saṃjñāna’ (reconciliation) complex with four deities (Agni-Vasu, Soma-Rudra, Indra-Marut, Varuṇa-Āditya) to resolve peer rivalry and establish acknowledged precedence.
Predominantly mantra anthology (Ṛg-vedic style) embedded as liturgical recitation material; functions as a chandas-rich sonic superstructure rather than explanatory prose, supplying metrical ‘architecture’ for the preceding modules.
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