Śivapūjā-vidhi: Purifications, Sūrya–Graha Mantras, Nyāsa, and Bhūtaśuddhi leading to Śivoham-bhāva
आत्मानं पद्मसंस्थं च हौं शिवाय ततो बहिः / द्वारे नन्दिमहाकालौ गङ्गा च यमुनाथ गौः
ātmānaṃ padmasaṃsthaṃ ca hauṃ śivāya tato bahiḥ / dvāre nandimahākālau gaṅgā ca yamunātha gauḥ
自己(アートマン)を蓮華に坐すものと観想し、「hauṃ—シヴァに帰敬す」と唱える。ついでその内なる座の外、門口において、禅観のうちにナンディンとマハーカーラを配し、さらにガンガーとヤムナー、そして聖なる牡牛ナンディ(尊き乗り物)をも安置する。
Lord Vishnu (in discourse to Garuda/Vainateya)
Concept: Ātma-dhyāna within a lotus-seat, guarded by auspicious and fierce liminal powers; inner Self approached through ordered visualization.
Vedantic Theme: Antarātman as the inner sanctum; upāsanā as a means to steadiness (citta-sthairya) leading toward self-recognition.
Application: Use a brief nyāsa-like visualization: center awareness at the heart-lotus, then mentally place protective guardians at the ‘door’ of attention; conclude with remembrance of sacred waters for purification.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: sacred threshold/mandala-gate
Related Themes: Garuda Purana 1.23 (mandala/nyasa-style worship sequence continuing in 1.23.17–20)
This verse uses lotus-seating as a dhyāna framework: it stabilizes attention, establishes inner purity, and prepares the practitioner for mantra-based worship.
Indirectly: by emphasizing inner purification and disciplined visualization, it presents worship as a means to refine the jīva’s orientation toward auspicious states rather than fear-driven afterlife outcomes.
Begin japa or prayer by a brief visualization—self seated on a lotus—then recite a Śiva-mantra with reverence, cultivating steadiness, restraint, and ethical clarity.