Āryā-Chandas Lakṣaṇa; Gīti-Bheda; Vaitālīya-Vaktra; Mātrā-to-Varṇa Transition
उदीच्याद्यङ्घ्रिसंयोगाद्युग्मपादैकपादिका / चारुहासिन्ययुग्माङ्घ्रौ वैतालीयस्य संग्रहः
udīcyādyaṅghrisaṃyogādyugmapādaikapādikā / cāruhāsinyayugmāṅghrau vaitālīyasya saṃgrahaḥ
北式(ウディーチャ)に始まり、冒頭(ヴァクトラ)が「足」(韻律単位)の結合によって成るもの、さらに「対の足と単の足」と呼ばれる諸類、また「チャールハーシニー」および「対の足」を含めて、これがヴァイターリーヤ(Vaitālīya)韻律の要約(サングラハ)である。
Lord Vishnu (instructing Garuda/Vinata-putra in a didactic section)
Concept: Knowledge is organized by defining starting conditions and enumerating recognized subtypes; a concise summary enables retention and correct identification of metre.
Vedantic Theme: viveka (discrimination) and saṅgraha (compression of knowledge) as aids to right understanding.
Application: When learning chandas, memorize the defining opening (aṅghri-saṃyoga) and the named variants; use the saṃgraha as a checklist for identification.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Related Themes: Garuda Purana 1.208.8; Garuda Purana 1.208.10; Garuda Purana 1.208.12
This verse gives a compact checklist of the recognized Vaitālīya variants (by named patterns and “feet” groupings), helping readers classify and correctly recite verses in that metre.
It describes metre through the language of metrical “feet” (aṅghri/pāda)—how the opening is formed and which standard variants (paired-foot, single-foot, Cāruhāsinī, etc.) are included under Vaitālīya.
Use it as a reference when chanting or editing Sanskrit text: identify whether a verse matches Vaitālīya by checking its pāda/foot-pattern and the listed variant forms, improving accuracy in recitation and digital annotation.