Shloka 41

रावणो<पि पुरी गत्वा लड़कां कामबलात्कृत: । सीतां निवेशयामास भवने नन्दनोपमे,इधर कामके वशीभूत हुए रावणने भी लंकापुरीमें पहुँचकर सीताको अशोकवाटिकाके निकट तपस्वी मुनियोंके आश्रमकी भाँति शान्तिपूर्ण तथा नन्‍्दनवनके समान रमणीय भवनमें ठहराया। पतिका निरन्तर चिन्तन करते-करते सीताका शरीर दुर्बल हो गया था। वे तपस्विनीवेषमें वहाँ रहती थीं

rāvaṇo 'pi purī gatvā laṅkāṃ kāmabalāt kṛtaḥ | sītāṃ niveśayāmāsa bhavane nandanopame ||

Mārkaṇḍeya said: “Rāvaṇa too, having reached the city of Laṅkā—driven by the force of his desire—caused Sītā to be lodged in a mansion like Nandana (Indra’s pleasure-grove).” The verse underscores how unchecked kāma (desire) can overpower judgment and lead to adharma, even when the outward setting is made alluring and seemingly secure.

रावणःRavana
रावणः:
Karta
TypeNoun
Rootरावण
FormMasculine, Nominative, Singular
अपिalso/even
अपि:
TypeIndeclinable
Rootअपि
पुरीम्to the city
पुरीम्:
Karma
TypeNoun
Rootपुरी
FormFeminine, Accusative, Singular
गत्वाhaving gone
गत्वा:
TypeVerb
Rootगम्
Formक्त्वा (absolutive/gerund), Parasmaipada (usage-neutral), Non-finite
लङ्काम्Lanka
लङ्काम्:
Karma
TypeNoun
Rootलङ्का
FormFeminine, Accusative, Singular
कामबलात्by the force of desire
कामबलात्:
Karana
TypeNoun
Rootकाम-बल
FormNeuter, Ablative, Singular
कृतःmade/done; (being) compelled
कृतः:
TypeVerb
Rootकृ
Formक्त (past passive participle), Masculine, Nominative, Singular
सीताम्Sita
सीताम्:
Karma
TypeNoun
Rootसीता
FormFeminine, Accusative, Singular
निवेशयामासhe caused (her) to stay/placed
निवेशयामास:
TypeVerb
Rootनिवेशय् (निवेशयति, caus. of नि+विश्)
Formलिट् (periphrastic perfect), Third, Singular, Parasmaipada
भवनेin a mansion/house
भवने:
Adhikarana
TypeNoun
Rootभवन
FormNeuter, Locative, Singular
नन्दनोपमेlike Nandana (garden); Nandana-like
नन्दनोपमे:
TypeAdjective
Rootनन्दन-उपम
FormNeuter, Locative, Singular

मार्कण्डेय उवाच

M
Mārkaṇḍeya
R
Rāvaṇa
L
Laṅkā
S
Sītā
N
Nandana (Indra’s garden)

Educational Q&A

The verse highlights the ethical danger of kāma when it becomes dominant: desire can compel a person toward adharma, masking wrongdoing with external comforts and beauty (a ‘Nandana-like’ residence) while the underlying act remains coercive and unrighteous.

Mārkaṇḍeya narrates that Rāvaṇa, after arriving in Laṅkā, has Sītā placed in an exquisitely pleasant mansion likened to Nandana. It is part of the embedded Rāmāyaṇa narrative describing Sītā’s confinement after her abduction.