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Shloka 10

Saṃsāra-mārga-vistaraḥ

Vidura’s Expanded Account of the Path

शब्दरूपरसस्पर्शर्गन्चैश्ष विविधैरपि । मज्जमांसमहापड्के निरालम्बे समन्ततः

śabdarūparasasparśagandhaiś ca vividhair api | majjamāṃsamahāpaṅke nirālambhe samantataḥ ||

Vidura says: Even amid the many varieties of sound, form, taste, touch, and smell, one finds oneself sunk in a vast mire of marrow and flesh—everywhere without support. The verse evokes the body-bound life of sense-pleasure as unstable and degrading, urging detachment and ethical clarity in the aftermath of violence and grief.

शब्दby sounds
शब्द:
Karana
TypeNoun
Rootशब्द
FormMasculine, Instrumental, Plural
रूपby forms
रूप:
Karana
TypeNoun
Rootरूप
FormNeuter, Instrumental, Plural
रसby tastes
रस:
Karana
TypeNoun
Rootरस
FormMasculine, Instrumental, Plural
स्पर्शby touches
स्पर्श:
Karana
TypeNoun
Rootस्पर्श
FormMasculine, Instrumental, Plural
गन्धैःby smells
गन्धैः:
Karana
TypeNoun
Rootगन्ध
FormMasculine, Instrumental, Plural
and
:
TypeIndeclinable
Root
एषुin these
एषु:
Adhikarana
TypePronoun
Rootएतद्
FormMasculine/Neuter, Locative, Plural
विविधैःby various (kinds)
विविधैः:
Karana
TypeAdjective
Rootविविध
FormMasculine/Neuter, Instrumental, Plural
अपिalso/even
अपि:
TypeIndeclinable
Rootअपि
मज्जin marrow
मज्ज:
Adhikarana
TypeNoun
Rootमज्जा
FormFeminine, Locative, Singular
मांसin flesh
मांस:
Adhikarana
TypeNoun
Rootमांस
FormNeuter, Locative, Singular
महापङ्केin the great mire
महापङ्के:
Adhikarana
TypeNoun
Rootमहापङ्क
FormMasculine, Locative, Singular
निरालम्बेin (that which is) supportless
निरालम्बे:
Adhikarana
TypeAdjective
Rootनिरालम्ब
FormMasculine/Neuter, Locative, Singular
समन्ततःon all sides/everywhere
समन्ततः:
TypeIndeclinable
Rootसमन्ततः

विदुर उवाच

V
Vidura
T
the five sense-objects (sound, form, taste, touch, smell)
B
body (marrow and flesh)

Educational Q&A

Sense-pleasures (sound, form, taste, touch, smell) entice the mind, but attachment to them keeps one trapped in the unstable, bodily condition—likened to a mire of flesh and marrow—so one should cultivate detachment and steadiness in dharma rather than seek support in transient pleasures.

In the Stree Parva’s atmosphere of mourning after the war, Vidura speaks in a reflective, admonitory tone, using stark bodily imagery to highlight the fragility and impurity of embodied life and to redirect attention from sensory fascination toward moral and spiritual grounding.