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Shloka 15

कुमाराभिषेकप्रश्नः — Inquiry into Kumāra (Skanda) Investiture at Sarasvatī

आराध्य पशुभर्तारें महादेवं जगत्पतिम्‌ | तां देवीं मोक्षयामासु: सरिच्छेष्ठां सरस्वतीम्‌

ārādhya paśubhartāraṃ mahādevaṃ jagatpatim | tāṃ devīṃ mokṣayāmāsuḥ sariccheṣṭhāṃ sarasvatīm

Vaiśampāyana said: Having duly worshipped Mahādeva—lord of creatures and master of the world—they then set about releasing that goddess Sarasvatī, the foremost of rivers. The passage underscores that even in moments of crisis, right action is grounded in reverence and proper rites, and that liberation from constraint is sought through devotion aligned with dharma rather than through mere force.

आराध्यhaving worshipped
आराध्य:
TypeVerb
Rootआ-राध् (धातु)
Formल्यप् (absolutive/gerund), कर्तरि, true
पशुभर्तारम्the lord/supporter of creatures
पशुभर्तारम्:
Karma
TypeNoun
Rootपशुभर्तृ (प्रातिपदिक)
FormMasculine, Accusative, Singular
महादेवम्Mahadeva (Śiva)
महादेवम्:
Karma
TypeNoun
Rootमहादेव (प्रातिपदिक)
FormMasculine, Accusative, Singular
जगत्पतिम्lord of the world
जगत्पतिम्:
Karma
TypeNoun
Rootजगत्पति (प्रातिपदिक)
FormMasculine, Accusative, Singular
ताम्her/that (f.)
ताम्:
Karma
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
FormFeminine, Accusative, Singular
देवीम्goddess
देवीम्:
Karma
TypeNoun
Rootदेवी (प्रातिपदिक)
FormFeminine, Accusative, Singular
मोक्षयामासुःthey released / set free
मोक्षयामासुः:
TypeVerb
Rootमुच् (धातु) / मोक्षयति (णिच्-प्रयोग)
Formलिट् (periphrastic perfect), Third, Plural, परस्मैपद, कर्तरि
सरिच्छेष्ठाम्the best among rivers
सरिच्छेष्ठाम्:
Karma
TypeAdjective
Rootसरित् + श्रेष्ठा (प्रातिपदिक)
FormFeminine, Accusative, Singular
सरस्वतीम्Sarasvatī (river/goddess)
सरस्वतीम्:
Karma
TypeNoun
Rootसरस्वती (प्रातिपदिक)
FormFeminine, Accusative, Singular

वैशम्पायन उवाच

V
Vaiśampāyana
M
Mahādeva (Śiva)
S
Sarasvatī

Educational Q&A

The verse highlights that auspicious and effective action is preceded by proper worship and alignment with dharma: reverence to the divine (Mahādeva) becomes the ethical and ritual foundation for freeing what is constrained (here, the river-goddess Sarasvatī).

The narrators describe how, after propitiating Mahādeva, the participants proceed to ‘release’ Sarasvatī, praised as the foremost of rivers—indicating a ritual or divine intervention by which the river-goddess is set free to flow or to resume her course.