Shloka 12

सात्यकि: सप्तविंशत्या द्रौणिं विदृध्वा शिलीमुखै: । पुनर्विव्याध नाराचै: सप्तभि: स्वर्णभूषितै:,सात्यकिने सत्ताईस बाणोंसे अश्वत्थामाको घायल करके पुनः सात स्वर्णभूषित नाराचोंद्वारा उसे बींध डाला

sātyakiḥ saptaviṃśatyā drauṇiṃ vidṛdhvā śilīmukhaiḥ | punar vivyādha nārācaiḥ saptabhiḥ svarṇabhūṣitaiḥ ||

Sañjaya said: Sātyaki, having wounded Droṇa’s son (Aśvatthāman) with twenty-seven sharp arrows, again pierced him with seven gold-adorned nārāca shafts. The verse underscores the relentless escalation of battlefield violence, where prowess and resolve drive repeated strikes, even as the ethical weight of harming a revered teacher’s son hangs over the combat.

सात्यकिःSatyaki
सात्यकिः:
Karta
TypeNoun
Rootसात्यकि
FormMasculine, Nominative, Singular
सप्तविंशत्याwith twenty-seven (arrows)
सप्तविंशत्या:
Karana
TypeNoun
Rootसप्तविंशति
FormFeminine, Instrumental, Singular
द्रौणिम्Drona's son (Ashvatthaman)
द्रौणिम्:
Karma
TypeNoun
Rootद्रौणि
FormMasculine, Accusative, Singular
विदृध्वाhaving wounded / having struck
विदृध्वा:
TypeVerb
Rootविदृध्
Formक्त्वा (absolutive/gerund), Parasmaipada (usage)
शिलीमुखैःwith sharp arrows (shilimukhas)
शिलीमुखैः:
Karana
TypeNoun
Rootशिलीमुख
FormMasculine, Instrumental, Plural
पुनःagain
पुनः:
TypeIndeclinable
Rootपुनः
विव्याधpierced
विव्याध:
TypeVerb
Rootव्यध्
FormPerfect (Liṭ), Third, Singular, Parasmaipada
नाराचैःwith iron arrows (narachas)
नाराचैः:
Karana
TypeNoun
Rootनाराच
FormMasculine, Instrumental, Plural
सप्तभिःwith seven
सप्तभिः:
Karana
TypeAdjective
Rootसप्त
FormMasculine, Instrumental, Plural
स्वर्णभूषितैःadorned with gold
स्वर्णभूषितैः:
Karana
TypeAdjective
Rootस्वर्ण-भूषित
FormMasculine, Instrumental, Plural

संजय उवाच

S
Sañjaya
S
Sātyaki
D
Drauṇi (Aśvatthāman)
Ś
śilīmukha (arrows)
N
nārāca (arrows)

Educational Q&A

The verse highlights the uncompromising momentum of kṣatriya warfare: once engaged, a warrior presses advantage through repeated, precise strikes. Ethically, it reflects the tension between martial duty (kṣatriya-dharma) and the grave human cost—here intensified because the target is the son of a revered teacher (Droṇa).

Sañjaya reports that Sātyaki first wounds Aśvatthāman with twenty-seven arrows and then follows up by piercing him again with seven gold-ornamented nārāca shafts, emphasizing Sātyaki’s aggressive, sustained assault in the Karṇa Parva battle sequence.