Shloka 15

नकुलं च त्रिसप्तत्या द्रौपदेयांश्व॒ मारिष | पज्चभि: पज्चभिर्विद्ध्वा घोरं॑ नादं ननाद ह,आर्य! उसने युधिष्ठिरको तीन, सहदेवको सात, नकुलको तिहत्तर और द्रौपदीपुत्रोंको पाँच-पाँच बाणोंसे घायल करके घोर गर्जना की

nakulaṃ ca trisaptatyā draupadeyāṃś ca māriṣa | pañcabhiḥ pañcabhir viddhvā ghoraṃ nādaṃ nanāda ha ||

Sañjaya said: “O venerable one, after wounding Nakula with seventy-three arrows and the sons of Draupadī with five arrows each, he let out a dreadful roar.” The verse highlights the battlefield ethic of displaying prowess and intimidation as part of kṣatriya warfare, where loud acclamation follows a successful strike to unsettle opponents and rally one’s own side.

नकुलम्Nakula
नकुलम्:
Karma
TypeNoun
Rootनकुल
FormMasculine, Accusative, Singular
and
:
TypeIndeclinable
Root
त्रिसप्तत्याwith seventy-three (arrows)
त्रिसप्तत्या:
Karana
TypeNoun
Rootत्रिसप्तति
FormFeminine, Instrumental, Singular
द्रौपदेयान्the sons of Draupadi
द्रौपदेयान्:
Karma
TypeNoun
Rootद्रौपदेय
FormMasculine, Accusative, Plural
and
:
TypeIndeclinable
Root
मारिषO noble one (address)
मारिष:
TypeNoun
Rootमारिष
FormMasculine, Vocative, Singular
पञ्चभिःwith five (arrows)
पञ्चभिः:
Karana
TypeNoun
Rootपञ्च
FormMasculine/Neuter, Instrumental, Plural
पञ्चभिःwith five (each)
पञ्चभिः:
Karana
TypeNoun
Rootपञ्च
FormMasculine/Neuter, Instrumental, Plural
विद्ध्वाhaving pierced/wounded
विद्ध्वा:
TypeVerb
Rootव्यध्
Formक्त्वा (absolutive/gerund), Parasmaipada (usage)
घोरम्terrible
घोरम्:
Karma
TypeAdjective
Rootघोर
FormMasculine, Accusative, Singular
नादम्sound/roar
नादम्:
Karma
TypeNoun
Rootनाद
FormMasculine, Accusative, Singular
ननादroared/sounded
ननाद:
Karta
TypeVerb
Rootनद्
FormPerfect (Liṭ), Third, Singular, Parasmaipada

संजय उवाच

S
Sañjaya
N
Nakula
D
Draupadeyas (sons of Draupadī)

Educational Q&A

The verse reflects the kṣatriya battlefield code: martial success is publicly asserted through a roar or proclamation, serving both as self-affirmation and as psychological pressure on the enemy. It implicitly raises ethical awareness of how power is displayed and how intimidation functions within war.

Sañjaya reports that a warrior (contextually, the attacking hero in this section) strikes Nakula with seventy-three arrows and wounds each of Draupadī’s sons with five arrows, then roars loudly to signal dominance and challenge the opposing side.