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Shloka 9

आत्मदोष-उपदेशः तथा भीम-धृष्टद्युम्नयोः संयोगः

Self-Causation Counsel and the Bhīma–Dhṛṣṭadyumna Convergence

कवचोपहितैगत्रिहस्तैश्व समलंकृतैः । मुखैश्न चन्द्रसंकाशै रक्तान्तनयनै: शुभै:,भूपाल! दो ही घड़ीमें वहाँकी सारी वसुधा कवचसे ढके हुए शरीरों, आभूषणोंसे विभूषित हाथों, चन्द्रमाके समान सुन्दर मुखों, जिनके अन्तभागमें कुछ-कुछ लाली थी, ऐसे सुन्दर नेत्रों तथा हाथी, घोड़े और मनुष्योंके सम्पूर्ण अंगोंसे बिछ गयी थी

sañjaya uvāca | kavacopahitair gātrair hastaiś ca samalaṅkṛtaiḥ | mukhaiś ca candrasaṅkāśai rakta-antananayaiḥ śubhaiḥ ||

Sañjaya said: “O king, in but a short while the whole earth there became strewn with bodies clad in armour, with hands adorned with ornaments, with faces lovely as the moon, and with beautiful eyes whose corners were tinged with red.” The verse heightens the tragic irony of war: even those marked by beauty, nobility, and royal splendour are reduced to lifeless forms upon the battlefield, underscoring the moral cost of violence and the fragility of worldly glory.

कवचby/with armor
कवच:
Karana
TypeNoun
Rootकवच
FormNeuter, Instrumental, Singular
उपहितैःcovered/put on
उपहितैः:
Karana
TypeAdjective
Rootउपहित (उप + धा/हि धातु, क्त)
FormMasculine/Neuter, Instrumental, Plural
गात्रैःwith bodies/limbs
गात्रैः:
Karana
TypeNoun
Rootगात्र
FormNeuter, Instrumental, Plural
हस्तैःwith hands/arms
हस्तैः:
Karana
TypeNoun
Rootहस्त
FormMasculine, Instrumental, Plural
and
:
TypeIndeclinable
Root
समलंकृतैःadorned/ornamented
समलंकृतैः:
Karana
TypeAdjective
Rootसमलंकृत (सम् + अलं + कृ, क्त)
FormMasculine/Neuter, Instrumental, Plural
मुखैःwith faces
मुखैः:
Karana
TypeNoun
Rootमुख
FormNeuter, Instrumental, Plural
चन्द्रसंकाशैःmoon-like in appearance
चन्द्रसंकाशैः:
Karana
TypeAdjective
Rootचन्द्र-संकाश
FormMasculine/Neuter, Instrumental, Plural
रक्तान्तhaving red at the ends
रक्तान्त:
Karana
TypeAdjective
Rootरक्त-अन्त
FormMasculine/Neuter, Instrumental, Plural
नयनैःwith eyes
नयनैः:
Karana
TypeNoun
Rootनयन
FormNeuter, Instrumental, Plural
शुभैःbeautiful/auspicious
शुभैः:
Karana
TypeAdjective
Rootशुभ
FormMasculine/Neuter, Instrumental, Plural

संजय उवाच

S
Sañjaya
B
Bhūpāla (the king, i.e., Dhṛtarāṣṭra)
K
kavaca (armour)

Educational Q&A

The verse conveys the impermanence of beauty, status, and martial splendour in the face of death. It implicitly critiques the devastation of war: even the finest, ‘moon-faced’ warriors—armoured and ornamented—become mere casualties, reminding the listener of the ethical weight and human cost of conflict.

Sañjaya is reporting to the king what he ‘sees’ on the battlefield: the ground is quickly covered with fallen warriors, described through vivid details—armour-clad bodies, ornamented arms, radiant faces, and red-tinged eyes—emphasizing the scale and immediacy of the slaughter.