Shloka 45

प्रतिलभ्य तत: संज्ञां क्रोधेन द्विगुणीकृत: । चिच्छेद सायकांस्तेषां ध्वजांश्वैव धनूंषि च,तदनन्तर होशमें आकर वह दूने क्रोधसे जल उठा। फिर उसने उनके सायकों, ध्वजों और धनुषोंके टुकड़े-टुकड़े कर डाले

pratilabhya tataḥ saṃjñāṃ krodhena dviguṇīkṛtaḥ | ciccheda sāyakāṃs teṣāṃ dhvajāṃś caiva dhanūṃṣi ca ||

Sañjaya said: Regaining consciousness, he flared up with anger doubled. Then, in a swift display of martial mastery, he cut to pieces their arrows, their standards, and their bows—an act that signals how wrath, once rekindled, can turn skill into sheer destructive force on the battlefield.

प्रतिलभ्यhaving regained/obtained
प्रतिलभ्य:
Karma
TypeVerb
Rootप्रतिलभ् (धातु)
Formल्यप् (क्त्वा-प्रत्ययः), कर्तरि, पूर्वकाले (absolutive)
ततःthen/thereupon
ततः:
Adhikarana
TypeIndeclinable
Rootततः (अव्यय)
संज्ञाम्consciousness/sense
संज्ञाम्:
Karma
TypeNoun
Rootसंज्ञा
FormFeminine, Accusative, Singular
क्रोधेनwith anger
क्रोधेन:
Karana
TypeNoun
Rootक्रोध
FormMasculine, Instrumental, Singular
द्विगुणीकृतःmade double; intensified
द्विगुणीकृतः:
Karta
TypeAdjective
Rootद्विगुणीकृत (कृदन्त-प्रातिपदिक)
FormMasculine, Nominative, Singular, क्त (past passive participle), कर्मणि (PPP; adjectival)
चिच्छेदhe cut; he severed
चिच्छेद:
Karta
TypeVerb
Rootछिद् (धातु)
Formलिट् (परस्मैपदम्; here functioning as past/perfect), Third, Singular, Parasmaipada
सायकान्arrows
सायकान्:
Karma
TypeNoun
Rootसायक
FormMasculine, Accusative, Plural
तेषाम्of them/their
तेषाम्:
Adhikarana
TypeNoun
Rootतद् (सर्वनाम)
FormMasculine/Neuter (contextual), Genitive, Plural
ध्वजान्banners/standards
ध्वजान्:
Karma
TypeNoun
Rootध्वज
FormMasculine, Accusative, Plural
and
:
TypeIndeclinable
Rootच (अव्यय)
एवindeed/also
एव:
TypeIndeclinable
Rootएव (अव्यय)
धनूंषिbows
धनूंषि:
Karma
TypeNoun
Rootधनुस्
FormNeuter, Accusative, Plural
and
:
TypeIndeclinable
Rootच (अव्यय)

संजय उवाच

S
Sañjaya
A
arrows (sāyaka)
S
standards/banners (dhvaja)
B
bows (dhanus)

Educational Q&A

The verse highlights how anger, once it takes hold, can rapidly intensify and drive a person to destructive action. Even when the action is framed as martial prowess, the ethical undertone is that krodha escalates conflict and turns capability into harm.

After regaining consciousness, the warrior’s anger surges. He then severs the opponents’ arrows, banners, and bows—disabling their weapons and symbols of force—showing a sudden reversal of momentum in the fight.