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Shloka 41

भीष्मवधोपाय-प्रश्नः (Inquiry into the means to overcome Bhīṣma) | Chapter 103

विषक्तै: स शरैश्वापि तपनीयपरिच्छदै: । आर्ष्यशृद्िर्बभौ राजन्‌ दीप्तशुड्र इवाचल:,राजन! शरीरमें धँसे हुए उन सुवर्णभूषित बाणों-द्वारा राक्षत अलम्बुष चमकीले शिखरोंवाले पर्वतकी भाँति सुशोभित हुआ

viṣaktaiḥ sa śaraiś cāpi tapanīya-paricchadaiḥ | ārṣyaśṛṅgī babhau rājan dīpta-śṛṅga ivācalaḥ ||

Sañjaya said: O King, pierced all over by arrows adorned with gold, the rākṣasa Alambuṣa shone forth—like a mountain whose peaks are blazing—his body bristling with shafts. The image underscores the grim splendor of battle: even in violence, the warrior’s endurance and the visible marks of combat become a stark emblem of the war’s inexorable momentum and the cost borne by embodied beings.

विषक्तैःby/with (those) stuck/embedded
विषक्तैः:
Karana
TypeAdjective
Rootविषक्त (वि+सञ्ज्, क्त)
FormMasculine/Neuter, Instrumental, Plural
सःhe
सः:
Karta
TypePronoun
Rootतद्
FormMasculine, Nominative, Singular
शरैःwith arrows
शरैः:
Karana
TypeNoun
Rootशर
FormMasculine, Instrumental, Plural
अपिalso/even
अपि:
TypeIndeclinable
Rootअपि
तपनीय-परिच्छदैःwith golden ornaments/coverings
तपनीय-परिच्छदैः:
Karana
TypeAdjective
Rootतपनीय + परिच्छद
FormMasculine/Neuter, Instrumental, Plural
आर्ष्य-शृङ्गैःwith lofty/holy peaks
आर्ष्य-शृङ्गैः:
Karana
TypeNoun
Rootआर्ष्य + शृङ्ग
FormNeuter, Instrumental, Plural
बभौshone/appeared splendid
बभौ:
TypeVerb
Rootभा
FormPerfect (Liṭ), 3rd, Singular
राजन्O king
राजन्:
TypeNoun
Rootराजन्
FormMasculine, Vocative, Singular
दीप्त-शिखरःhaving blazing peaks
दीप्त-शिखरः:
TypeAdjective
Rootदीप्त + शिखर
FormMasculine, Nominative, Singular
इवlike/as
इव:
TypeIndeclinable
Rootइव
अचलःa mountain
अचलः:
TypeNoun
Rootअचल
FormMasculine, Nominative, Singular

संजय उवाच

S
Sañjaya
D
Dhṛtarāṣṭra
A
Alambuṣa
A
arrows (śara)
G
golden ornaments/adornments (tapanīya-paricchada)
M
mountain (acala)

Educational Q&A

The verse highlights the paradox of war: bodily harm is real and grievous, yet the epic frames the battlefield through elevated imagery. Endurance under attack becomes a visible sign of the battle’s intensity, reminding the listener that martial glory is inseparable from suffering and the ethical weight of violence.

Sañjaya describes Alambuṣa on the battlefield, his body pierced by many arrows decorated with gold. Because the embedded shafts gleam, Alambuṣa appears like a mountain with shining, fiery peaks.