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Shloka 17

Ruru–Pramadvarā: Lineage, Fosterage, Betrothal, and the Snakebite Crisis (Ādi Parva, Adhyāya 8)

तत: कतिपयाहस्य विवाहे समुपस्थिते । सखीभ्रि: क्रीडती सार्थ सा कन्या वरवर्णिनी,तदनन्तर जब विवाहका मुहूर्त निकट आ गया, उसी समय वह सुन्दरी कन्या सखियोंके साथ क्रीड़ा करती हुई वनमें घूमने लगी

tataḥ katipayāhasya vivāhe samupasthite | sakhībhiḥ krīḍatī sārthaṃ sā kanyā varavarṇinī ||

Śaunaka said: When the wedding, due after only a few days, was drawing near, that beautiful maiden, accompanied by her friends, went about in the forest, playing. In the narrative frame, the verse highlights the calm, ordinary rhythms of youthful life just before a decisive social rite (marriage) approaches—an implicit contrast often used in the Mahābhārata to foreshadow sudden turns of fate and to situate personal choice within dharma-bound social transitions.

ततःthen, thereafter
ततः:
TypeIndeclinable
Rootततः
कतिपयस्यof some (time/period)
कतिपयस्य:
Adhikarana
TypeAdjective
Rootकतिपय
FormMasculine/Neuter, Genitive, Singular
विवाहेat the marriage
विवाहे:
Adhikarana
TypeNoun
Rootविवाह
FormMasculine, Locative, Singular
समुपस्थितेwhen (it) had arrived/come near
समुपस्थिते:
Adhikarana
TypeVerb
Rootसम्-उप-स्था
Formक्त, Masculine, Locative, Singular
सखीभिःwith (her) female friends
सखीभिः:
Karana
TypeNoun
Rootसखी
FormFeminine, Instrumental, Plural
क्रीडतीplaying
क्रीडती:
Karta
TypeVerb
Rootक्रीड्
Formशतृ, Feminine, Nominative, Singular
सार्थम्together, along with
सार्थम्:
TypeIndeclinable
Rootसार्थ
साshe, that (girl)
सा:
Karta
TypePronoun
Rootतद्
FormFeminine, Nominative, Singular
कन्याmaiden, girl
कन्या:
Karta
TypeNoun
Rootकन्या
FormFeminine, Nominative, Singular
वरवर्णिनीof excellent complexion/beauty
वरवर्णिनी:
Karta
TypeAdjective
Rootवरवर्णिनी
FormFeminine, Nominative, Singular

शौनक उवाच

Ś
Śaunaka
K
kanyā (the maiden)
S
sakhyaḥ (female friends)
V
vivāha (wedding)
V
vana (forest)

Educational Q&A

The verse situates personal life within dharma-governed social transitions: as a major rite (vivāha) approaches, ordinary play continues, subtly reminding that pivotal duties and life-changes can arrive while one is absorbed in everyday pleasures—often a prelude to moral testing in the epic.

As the wedding time nears in a few days, the beautiful maiden, accompanied by her friends, is described as playing and roaming in the forest—setting the scene immediately before subsequent events connected to the impending marriage.