HomeVamana PuranaAdh. 52Shloka 47
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Vamana Purana — Merit of Shravana Dvadashi, Shloka 47

The Merit of Śravaṇa-Dvādaśī and the Liberation of a Preta through Gayā Piṇḍa-Rites

ऋते पिनाकिनो देवात् त्रात्ऽस्मान् न यतो हरे अतो विवृद्धिमगमद् यथा व्याधिरुपेक्षितः

ṛte pinākino devāt trāt'smān na yato hare ato vivṛddhimagamad yathā vyādhirupekṣitaḥ

{"has_teaching": true, "teaching_type": "bhakti", "core_concept": "Aishvarya-bhakti: devotion arising from recognition of the Lord as jagat-kāraṇa (source/womb of worlds).", "teaching_summary": "Hearing the Lord’s declaration triggers existential trembling; true stuti begins when the devotee recognizes the deity not as a rival but as the very origin of all worlds.", "vedantic_theme": "Jagat-kāraṇatva of Bhagavān; the finite self’s response (bhaya + adbhuta) before the infinite.", "practical_application": "Let awe mature into surrender: when confronted with overwhelming power, respond with truthful praise and humility rather than defiance."}

Narrator/Ṛṣi voice addressing Hari (Viṣṇu)in the context of the Devas’ predicament
Vishnu (Hari)Shiva (Pinakin)
Divine protectionAsura ascendancyNeed for interventionShaiva–Vaishnava complementarity (Śiva as Pinākin; Viṣṇu addressed as Hari)

{ "primaryRasa": "karuna", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

The line frames the crisis as requiring supreme divine protection; Śiva is acknowledged as the Pināka-bearing protector, while Hari is directly invoked as the one who will act within this narrative arc (culminating in Viṣṇu’s avatāra intervention). It reflects a Purāṇic idiom where deities are invoked in complementary roles rather than strict sectarian separation.

It depicts unchecked adharma/asuric power as self-amplifying: when not countered by timely dharmic action (divine or royal), it spreads like an untreated illness. The simile justifies the necessity of decisive intervention rather than passive endurance.

No explicit river, lake, forest, or tīrtha is named here; the verse is thematic and rhetorical, setting up the urgency for divine action rather than describing sacred geography.